Skip to main content

Celeste Seifert

October 5, 2022

Degrees

2018, MA English, New York University

2016, BA English, University of California, Los Angeles

Bio

Celeste is a graduate student in UNC’s English and Comparative Literature Department. They work as a teaching fellow for the department, an assistant at The William Blake Archive, and for the Jane Austen Summer Program. Celeste is currently interested in exploring ideas of apocalypse and ruin in the Long Nineteenth-Century.


Curriculum Vitae / Resume

Joshua Cody Ward

September 8, 2022

Degrees

2022, MA English, University of North Carolina at Charlotte

2016, BA Religious Studies, Wingate University

Bio

A North Carolina native, Joshua Cody Ward joined the program in Fall 2022. His field is Modern and Contemporary American literature broadly (1900-Present), and specifically Literature of the American South, the Appalachian South, and African American Literature. His research interests include the archive, textual studies, editorial scholarship, intertextuality, and the Novel, though he is also an avid scholar of Cormac McCarthy and of Thomas Wolfe. His prospective dissertation will engage with Articulations of Appalachia, both scholarly and literary, centering on the political and aesthetic stakes of defining the Southern Appalachian range across the 20th century into the contemporary.

He is currently a Digital Content Coordinator for the Latina/o Studies Program, a Junior Coordinator for the Critical Speakers Series, a Graduate Lecture Series coordinator, and a Board Member (2023-2026) for the Thomas Wolfe Society. He is also on the committee for the 2024 Durham, NC conference for the Thomas Wolfe Society, and is an occasional Reviewer for the The Cormac McCarthy Journal. As a junior scholar, his work has been accepted or published in several journals and essay collections, and he has presented his work at over 20 academic conferences.


Publications:

  • “Darkness on the Edge of Town: Beat Subject Formation, Black Ontology, and Fugitivity as Gnosis in Cormac McCarthy’s Suttree.” In This Country’s Hard on People: Cormac McCarthy and American Identity, edited by Vernon Cisney. Forthcoming.
  • “Weird Object Relations, Ecology, and Apocalypse in Cormac McCarthy’s The Passenger and Stella Maris.” In New Perspectives on Cormac McCarthy: Encountering The Passenger and Stella Maris, edited by Jonathan Elmore and Rick Elmore. Forthcoming.
  • “Publishing the Black Arts Movement: Editors, Anthologies, and Canonization.” South Atlantic Review, vol. 88, no. 2-3, 2023, pp. 157-170.
  • “From Commas to Cosmos: The Pervading Influence of Thomas Wolfe on Cormac McCarthy.” The Thomas Wolfe Review, vols. 44 & 45, nos. 1 & 2, 2020 & 2021, pp. 8-25.
  • [album] The Boron Heist. Ridin’ Rough. Mystery School Records, April 6 2019.
  • “Light and Darkness, Sight and Blindness: Religious Knowledge in Cormac McCarthy’s Outer Dark.Wingate Research Review, issue 8, Fall 2016, pp. 87-106.
  • “Raison d’être.” Wingate University Counterpoint, Spring 2013, p. 9.
  • “On Testing.” Wingate University Counterpoint, Spring 2013, p. 23.

Awards

  • Graduate Teaching Fellow, Fall 2022-Present, UNC Chapel Hill, English and Comparative Literature Department.
  • Travel Grant, Fall 2023, UNC Chapel Hill, English and Comparative Literature Department.
  • Emerging Scholar Award, Summer 2023, UNC Chapel Hill, Southern Futures program.
  • John R. Bittner Student Literary Prize, May 27th 2023, Thomas Wolfe Society Conference.
  • LSP Teaching Fellowship, Spring 2023, UNC Chapel Hill Latina/o Studies Program.
  • Graduate Student Transportation Grant, Spring 2023, UNC Chapel Hill, Graduate School.
  • Languages & Literatures Graduate Student Paper Award Recipient, February 23rd 2023, 44th Annual SWPACA Conference.
  • 2021 Graduate Student Essay Award Recipient, November 12th 2022, SAMLA 94.
  • Travel Grant, Fall 2022, UNC Chapel Hill, English and Comparative Literature Department.
  • The Julian D. Mason Award for Excellence in Graduate Studies, April 29th 2022, UNC Charlotte, English Department.
  • Graduate Teaching Assistantship, Fall 2020-Spring 2022, UNC Charlotte, English Department.
  • Wittliff Collections William Hill Research Award, 2021-2022, Texas State University, For archival research conducted July 2021 in the Cormac McCarthy Papers and Woolmer Collections.
  • Anne Newman Graduate Student Travel Grant, Fall 2021, UNC Charlotte.
  • Excellence in Philosophy Award, April 24th 2016, Wingate University, Religious Studies Department.
  • G. Byrns Coleman Award for Excellence in Religious Studies, April 24th 2016, Wingate University, Religious Studies Department.
  • University Honors, April 24th, 2016, Wingate University.

Curriculum Vitae / Resume

Charlie Lee

September 23, 2021

Degrees

BA English, Andrews University

MA English, University of Oklahoma

 

Bio

I am currently interested in video game studies, digital rhetoric, and digitial composition pedagogy. My previous work looked at the horror video game Amnesia: The Dark Descent and its uses of virtual spaces to generate affects of fear and anxiety. Currently, I’m interested in studying competitive e-sports titles such as League of Legends and Starcraft II to understand how their fast-paced forms of gameplay require and generate new forms of literacies.


Publications:

Lee, Charles (2021), ‘Running scared: Fear and Space in Amnesia: The Dark
Descent’, Journal of Gaming & Virtual Worlds, 13:1, pp. 93–112.


Sarah Lofstrom

August 9, 2021

Degrees

2019, BA English, Mount Holyoke College

Bio

My scholarly interests naturally converge around questions of trauma, ethics, affect, and divergent subjectivities in narratives of resistance and reconciliation. My work is grounded in an intersectional feminist hermeneutic lens to explore the role of gender, sexuality, and settler colonialism in texts by contemporary American multiethnic women writers. I am also interested in speculative imagery and it’s significance in illuminating historically silenced facets of subjectivity. Psychoanalytic criticisms surrounding haunting and trauma, in conjunction with an exploration of queer women’s psyches as sites for potential violence or intimacy are also uniquely compelling to me. My work asks how/why ‘deviant affects’ are labeled as such, and why the burden of silencing those affects largely falls on “marginalized” folks, i.e. queer and trans women of color?


Antonia DiNardo

September 28, 2020

Degrees

2020, BA English/History, Mary Baldwin University

2018, AA Liberal Arts, Northern Virginia Community College

Bio

Toni DiNardo is a fourth year PhD student in the department of English and Comparative literature. Once described by a colleague as a “medievalismist,” her work is predominantly concerned with the mediation of medieval thought and constructions of the middle ages in modern genre fantasy. She is particularly interested in the use of what Umberto Eco called “the Middle Ages as pretext” as a backdrop for the construction and sustenance of socio-political identities, from bucolic queer medievalisms to white nationalist idealization of a putatively ethno-nationalist Middle Ages. Toni has given talks on the fraught intersection of fantasy and conceptions of “historical accuracy” and on the co-opting of popular fantasy franchises as recruiting tools by far-right groups, and in 2023 she held the Hanes Graduate Fellowship, studying the annotations and marginalia of C. S. Lewis’ personal collection of medieval and early modern texts.


Awards

  • Hanes Graduate Fellowship, Rare Book Collection, Louis Round Wilson Library, 2023

Curriculum Vitae / Resume

Jonathan Albrite

September 22, 2020

Degrees

2008, BA English, James Madison University

2020, MA English, James Madison University

Bio

I am a doctoral candidate and teaching fellow in the Department of English & Comparative Literature at UNC. I am currently at work on my dissertation, tentatively titled “No Judgment: The Aesthetics of Neutrality in the Postwar American Novel,” which examines the productive tension that arises between neutral narrators and snobby characters in the decades immediately following the Second World War. More broadly, my research concerns expressions of taste and aesthetic judgment in American literature and film as they relate to discourses on race, gender, sexuality, and class. I also work on topics, including climate change and posthumanist aesthetics, related to the environmental humanities, and have taught courses on contemporary literature, film, and composition.


Curriculum Vitae / Resume

Karah M. Mitchell

July 13, 2020

Degrees

2016, MA English, University of Missouri at Columbia

2014, BA English (French minor), Louisiana State University at Baton Rouge

Bio

I am a PhD candidate studying American literature of the long nineteenth century. My research interests largely revolve around animal studies and how literature has shaped historical developments in human-animal relations. At UNC, I have taught classes on poetry, animals in popular literary genres, science writing, and composition, and I have also gained extensive experience working as a graduate writing coach at the UNC Writing Center. As a scholar and a teacher, I am driven by a deep interest in interdisciplinary thinking and how written words actively shape our lived experiences in the world.

In my dissertation project, “‘If You Are Always Kind’: Animals and Becoming Human(e) in Nineteenth-Century American Children’s Literature,” I demonstrate how materials written for and by children were historically significant in the development and consolidation of “humane” values that continue to shape our present moment. My project foregrounds how these materials racialized and gendered different animal species to generate a “humane” discourse that fueled the emergence of animal welfare initiatives. While I focus on these developments in the United States, I also consider the transnational and transatlantic dimensions of the animal welfare movement. As a scholar, much of my methodology is grounded in working with archival materials, and I have held research fellowships from the Massachusetts Historical Society and the American Antiquarian Society in the course of working on this project. In considering many materials that have been forgotten today but which circulated widely in the nineteenth century, I shed new light on works that—like “Mary’s Lamb” (1830), which I quote in the first part of my title—continue to shape human behavior towards animals from a young age.

In my future work beyond this current project, I’m interested in how literary representations of animals influenced the development of veterinary science as a distinct medical field from the early 1700s up until 1879, when the first public college of veterinary medicine was founded in the United States. I am also more broadly interested in the history of public education in the United States.


Publications:

  • “Black Cats and White Women: Animal Autobiography and the Shaping of Race, Species, and Gender,” forthcoming in American Literature, vol. 96, no. 3, September 2024.
  • “‘Our School House is the Universe’: Henry David Thoreau as Radical Educator,” forthcoming chapter in The Oxford Handbook of Henry David Thoreau, 2025.
  • “A Posthumous Life: Thoreau and the Possibilities of Posthuman Biography,” The Concord Saunterer: A Journal of Thoreau Studies, vol. 27, 2019, pp. 127-142.
  • Review of Antoine Traisnel’s Capture: American Pursuits and the Making of a New Animal Condition (University of Minnesota Press, 2020) for Configurations: A Journal of Literature, Science, and Technology, vol. 30, no. 1, Winter 2022, pp. 107-110.
  • Review of Laura Dassow Walls’s Henry David Thoreau: A Life for the Emerson Society Papers, vol. 29, no. 2, Fall 2018, p. 14.
  • Online Review of LeAnne Howe’s Savage Conversations for The Carolina Quarterly, March 2019.
  • Online Review​ of Caleb Johnson’s ​Treeborne: A Novel f​or ​The Carolina Quarterly, September 2018.
  • Online Review​ of Filip Springer’s ​History of a Disappearance: The Story of a Forgotten Polish Town​ for ​The Carolina Quarterly, April 2018.

Teaching Awards

  • Tanner Award for Excellence in Undergraduate Teaching by Graduate Teaching Assistants, UNC Office of the Provost, 2024
  • Krista Turner Award for Excellence in Student Support for Spring 2022, UNC Dept. of English & Comparative Literature
  • Student Undergraduate Teaching Award, UNC Chancellor’s Awards, 2022

Awards

  • Off-Campus Dissertation Research Fellowship, Spring 2024, The Graduate School, UNC
  • Lapides Fellowship in Pre-1865 Juvenile Literature and Ephemera, 2023-2024, American Antiquarian Society, Worcester MA
  • Andrew Oliver Research Fellowship, 2022-2023, Massachusetts Historical Society, Boston MA
  • Dissertation Research Fellowship, Summer 2022, UNC Dept. of English & Comparative Literature
  • Robert Bain Award for Excellence Achieved by a Second-Year Student in Pre-1900 American Literature, 2018, UNC

Curriculum Vitae / Resume

Krysten Voelkner

October 28, 2019

Degrees

2018, MA English, Wake Forest University

2016, BA English, Drexel University

Bio

Krysten Voelkner is a PhD candidate in the department of English and Comparative Literature. Her primary interests reside at the intersection of environmental humanities and contemporary Latinx literature. Recent publications of hers can be found in Aztlán: A Journal of Chicano Studies, The Trumpeter: Journal of Ecosophy, and Chiricú Journal: Latina/o Literatures, Arts, and Cultures. She is currently at work on her dissertation, which investigates the ways in which Latinx writers experiment with aesthetics of horror, dread, anxiety, and other ‘bad’ affects associated with the climate crisis. In this regard, she hopes to explore the affective ecologies of Latinx environmental literature and film as they offer ways of thinking within and beyond the Anthropocene.


Publications:

  • “Vectors and Vermin: Gendered Violence and the Role of Insects in the Arthropoetics of Natalie Scenters-Zapico.” Chiricú Journal, vol. 6, no. 2, 2022.
  • “Another Way of Seeing: Ecological Existentialism in Cortázar’s ‘Axolotl’.” The Trumpeter: Journal of Ecosophy, vol. 36, no. 1, 2021.
  • “Memory, Temporality, and Communal Realization: Reading the Nomadic Subject in Rivera’s ...And the Earth Did Not Devour Him.” Aztlán: A Journal of Chicano Studies, vol. 45, no. 2, 2020.

Teaching Awards

  • UNC Latina/o Studies Program Teaching Award (UNC Latina/o Studies Department), Spring 2022
  • Erika Lindemann Award for Excellence in Teaching Composition in English 105 (UNC Department of English), Fall 2021.
  • UNC Latina/o Studies Program Teaching Award (Fall 2020)

Awards

  • UNC Department of English and Comparative Literature Early Stages Dissertation Fellowship, Summer 2022
  • Nominee: David D. Anderson Award for Outstanding Essay in Midwestern Literary Studies, 2021
  • Ruth Rose Richardson Award for outstanding record in the first year of graduate study, (UNC Department of English), 2019-20
  • H. Broadus Jones MA Student Award for Excellence in English (Wake Forest University Department of English), Spring 2018

Doug Stark

July 1, 2019

Degrees

2016, MA English, Loughborough University

2014, BA English, Loughborough University

Bio

Doug Stark is a media and game studies scholar completing a Ph.D. in English at the University of North Carolina, Chapel Hill. At UNC, he works for the Digital Literacy and Communications Lab as the Game Research Coordinator and teaches courses on film, video games, comics, digital media, and writing. Primarily, Doug’s research concerns twentieth and twenty-first century forms of play and game, treating them as both expressions of contemporary social conditions and means of adapting to our technocultural environments. His dissertation – “Playing with Habit: The Biopolitics of Games Under Neoliberalism” – addresses the power games exercise over life by examining the habits they promote in colonial, military, managerial, and entertainment contexts. Find his forthcoming and published work in journals Extrapolation, Journal of Gaming & Virtual Worlds, Post-45, Eludamos, Qui Parle, Leonardo, and Configurations, and in edited collections Playing the Field, Encyclopedia of Video Games, and Depictions of Power.


Publications:


Awards

  • Digital Dissertation Fellowship, Carolina Digital Humanities, UNC Chapel Hill, Spring 2023
  • Institute of the Arts and Humanities (IAH) Grant, “Critical Game Studies Exchange,” Spring 2023
  • Richard Brooke Scholarship, UNC Chapel Hill, 2022-2023
  • The Bruns Essay Prize, Society for Literature, Science & the Arts, 2022
  • Hobby Departmental Dissertation Fellowship, UNC Chapel Hill, Fall 2022
  • IAH Grant, UNC/KCL “Media Aesthetics” Speaker Series and Working Group, Fall 2022, Spring 2023
  • Game Studies Research Award, DLC lab, UNC Chapel Hill, Spring 2022, Fall 2022
  • Collaborative Online International Learning (COIL) Fellow, UNC Chapel Hill, Spring 2022
  • IAH Grant, UNC/KCL “Digital Aesthetics” Speaker Series, Fall 2021
  • Games and Cultures Humanities Lab Fellow, Duke University, 2019-2020
  • Santander Postgraduate Scholarship, Loughborough University, UK, 2014-2016

Curriculum Vitae / Resume

Jessica Ginocchio

October 16, 2018

Degrees

2016, M.A.T. Secondary English Education, Duke University

2013, M.A. Slavic Languages and Literatures, UNC-Chapel Hill

2011, B.A. Slavic Languages and Literatures, UNC-Chapel Hill

Bio

Jessica’s research focuses on late 19th and early 20th century Russian and German fiction, with special interests in the depictions of animals and death in literature. Key authors for her include Tolstoy, Dostoevsky, Kafka, and Mann. She has been studying Russian since 2007 and has studied in St. Petersburg, Moscow, and Kiev. She has taught Russian language courses and TA’d for Russian and German culture courses in the Department of Germanic and Slavic Languages and Literatures, as well as tutors for the new UNC Russian Flagship Program.

 

 


Awards

  • UNC CSEEES Summer Research & Language Study Award, 2021
  • FLAS Fellowship, Summer 2012 (Russian)