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Charlie Lee

September 23, 2021

Degrees

BA English, Andrews University

MA English, University of Oklahoma

 

Bio

I am currently interested in video game studies, digital rhetoric, and digitial composition pedagogy. My previous work looked at the horror video game Amnesia: The Dark Descent and its uses of virtual spaces to generate affects of fear and anxiety. Currently, I’m interested in studying competitive e-sports titles such as League of Legends and Starcraft II to understand how their fast-paced forms of gameplay require and generate new forms of literacies.


Publications:

Lee, Charles (2021), ‘Running scared: Fear and Space in Amnesia: The Dark
Descent’, Journal of Gaming & Virtual Worlds, 13:1, pp. 93–112.


Madison (Madi) Hester

August 24, 2021

Degrees

2018, B.A. English Literature, Colorado Mesa University

2020, M.A. English, Colorado State University

Bio

I am a Ph.D. student and teaching fellow in the Department of English & Comparative Literature. I research recent contemporary American literature from 2000 to present, and am absorbed by questions about mixed-race identity, and how multiethnic and multicultural subjects “rightly” identify themselves and are identified. I also examine what makes writing literary, who creates literature, and how digital media challenges and expands those definitions.


Timothy Gress

August 19, 2021

Degrees

2019, BA Philosophy and Religious Studies, Manhattan College

2021, MA English and American Literature, New York University

2021, MLIS Rare Books and Special Collections, Long Island University

Bio

Tim Gress is a PhD student and Graduate Teaching Fellow in the department of English & Comparative Literature. His research focuses primarily on the literary and cultural history of Britain during the 19th century, especially as it relates to the history of the book. Other interests include lesser-known woman writers of the late-Romantic and early-Victorian periods, the history and development of the novel in English, descriptive bibliography, and book collecting. Tim also works as a Graduate Assistant in the Rare Book Collection at Wilson Special Collections Library.


Publications:

  • A Collector’s Zeal: Treasures from the DeCoursey Fales Collection at Manhattan College. (Riverdale, New York: Manhattan College, 2020).

Awards

  • William T. Buice III Scholarship, Rare Book School, University of Virginia, 2020
  • Director’s Scholarship, Rare Book School, University of Virginia, 2019
  • Edward Branigan Scholars Grant for Research in the Humanities, Manhattan College, 2018

Ryan Carroll

August 4, 2021

Degrees

2020, BA English, George Washington University

Bio

Ryan Carroll is a PhD student in the Department of English and Comparative Literature. He is interested in mediation, information culture, documentary storytelling, and truth-telling in 19th-century British and Transatlantic literature. His interests also include modernism, literary theory and aesthetics, hermeneutic phenomenology, queer theory, and magical realism.

Outside of academia, Ryan writes on theology, particularly queer and liberation theology. His work has been published by theology publications and the Jesuit Conference of Canada and North America.


Publications:

Carroll, Ryan. “The Pilgrim’s Book.” The Jesuits, https://www.jesuits.org/stories/the-pilgrims-book/, 2021.

Carroll, Ryan. “Fragments of the Eschaton: Queer Christian Soteriology.” Macrina Magazine, https://macrinamagazine.com/issue-8-general/guest/2021/09/11/fragments-of-the-eschaton-queer-christian-soteriology/, September 11, 2021.

Carroll, Ryan. “An Ongoing Revelation: Endings and Poetics of Missingness in the Novels of Virginia Woolf and Gabriel García Márquez.” Portals: A Journal in Comparative Literature, July 12, 2020.


Awards

  • 2022 Ruth Rose Richardson Award

Brendan Chambers

September 11, 2019
Photo of Brendan Chambers

Degrees

2019, BA English, Boston College

Bio

Brendan is a PhD student studying 20th century American literature.  His interests lie at the nexus of literature and phenomenology, exploring how writers across genres represent consciousness and perception in their writing.


Publications:

  • “Phenomenological Reproduction in Thompson and Mailer’s New Journalism.” Dianoia. (Spring 2019)

Awards

  • Phi Beta Kappa, Boston College, 2019

Doug Stark

July 1, 2019

Degrees

2016, MA English, Loughborough University

2014, BA English, Loughborough University

Bio

Doug Stark is a Ph.D. candidate in the English program at the University of North Carolina, Chapel Hill. His research and teaching concerns twentieth- and twenty-first-century philosophy, cultural theory, literature, film, art and new media – specializing in the history and theory of games. Doug’s dissertation, Gaming as a Way of Life: Towards a Biopolitics of Play, addresses a present phenomenon that confounds traditional theories that define play by its autonomy from everyday life, namely, a preponderance of the game structures that saturate our contemporary world purport to exercise proficiencies pertinent beyond the scene of play — such as the apps on our phones that offer points, dangle badges, and display leaderboards to motivate exercise, language-learning, task-management, and even sleeping. By way of chapters on the British Empire’s implementation of cricket to “civilize” the colonized, the video game’s derivation from military-industrial training tools, the quotidian practice amateur gaming entails, and the professional esport athlete’s regimen, the dissertation demonstrates that the organization of life by games is not novel and that the activity of play recurs in recent history as a central, often tacit, means of adapting players to new technologies, economies, and systems of governance. It argues that the common sense that play is “free” not only belies this operation of power but also precludes harnessing the life organizing propensity of games to inhabit the world differently. Doug’s writing appears in journals ExtrapolationJournal of Gaming & Virtual WorldsPost-45EludamosQui Parle and Leonardo, as well as edited collections Playing the Field and Encyclopedia of Video Games.


Publications:

  • Stark, Doug. “Exercises in Humility: Gregory Bateson on Contingency, Croquet, and Revising Habits of Thought Through Play.” Leonardo, special section on “Indeterminacy After AI,” forthcoming 2022.
  • Stark, Doug. “Better Problems: Neoliberalism, Strategic Achronicity, and the Experimental Games To-Be-Made.” A review essay concerning Patrick Jagoda’s Experimental Games (2020). Qui Parle, vol. 30, no. 2, December 2021, pp. 399-419, https://doi.org/10.1215/10418385-9395334.
  • Stark, Doug. Encyclopedia of Video Games: The Culture, Technology and Art of Gaming, 2nd ed., edited by Mark J. P. Wolf, Greenwood Press, 2021, pp. 1104-1107.
  • Stark, Doug. “Training for the Military? Some Historical Considerations Towards a Media Philosophical Computer Game Philosophy.”
    Eludamos, vol. 11, no. 1, 2020, pp. 125144, https://eludamos.org/index.php/eludamos/article/view/vol11no1-8.
  • Stark, Doug and Teresa O’ Rourke. “The Lost Futures of BoJack and Diane.” Post45, special cluster on Leaving Hollywood: Essays After BoJack Horseman, 2020, https://post45.org/2020/11/the-lost-futures-of-bojack-and-diane/.
  • Stark, Doug. “Reimagining Play with Lewis Carroll’s Croquet.” In Media Res, March 2020, http://mediacommons.org/imr/content/reimagining-play-lewis-carroll%E2%80%99s-croquet.
  • Stark, Doug. “Unsettling Embodied Literacy in QWOP the Walking Simulator.” Journal of Gaming & Virtual Worlds, vol. 12, no. 1, 2020, pp. 49–67, https://doi.org/10.1386/jgvw_00004_1.
  • Stark, Doug. “‘A More Realistic View:’ Reimagining Sympoietic Practice in Octavia Butler’s Parable Series,” Extrapolation, vol. 61, no. 1-2, 2020, pp. 151–171, https://doi.org/10.3828/extr.2020.10.
  • Stark, Doug. “Ludic Literature: Ready Player One as Didactic Fiction for the Neoliberal Subject.” Playing the Field: Video Games and American Studies, edited by Sascha Pöhlmann, De Gruyter, 2019, pp. 153-173.

Awards

  • Hobby Departmental Dissertation Fellowship, UNC Chapel Hill, Fall 2022
  • IAH Grant, UNC/KCL “Media Aesthetics” Speaker Series and Working Group, Fall 2022
  • Game Studies Research Award, DLC lab, UNC Chapel Hill, Spring 2022, Fall 2022
  • Collaborative Online International Learning (COIL) Fellow, UNC Chapel Hill, Spring 2022
  • IAH Grant, UNC/KCL “Digital Aesthetics” Speaker Series, Fall 2021
  • Games and Cultures Humanities Lab Fellow, Duke University, 2019-2020
  • Santander Postgraduate Scholarship, Loughborough University, UK, 2014-2016

Curriculum Vitae / Resume

Nicole Berland

May 23, 2019

Degrees

2005, BA English, Psychology, Plan II Honors, University of Texas

2008, MA Humanities, University of Chicago

Bio

Although I came to UNC to study later-Victorian monster fiction, my obsessive Star Trek fandom redirected my research interests toward science fiction television seriality. As an educator, I likewise encourage my students to leverage their passions toward their academic work. I have taught several composition courses at UNC, including Writing Across the Disciplines, Writing in the Social Sciences, and Writing in the Humanities, in addition to designing and teaching sections of Literature & Cultural Diversity and Film & Culture. I’ve also been afforded the opportunity to TA for Matthew Taylor’s Literature, Medicine, and Culture and Gregory Flaxman’s Film Analysis classes. My auxiliary interests in social justice, music, and visual art also keep me busy with a number of UNC-affiliated and community-based groups and projects.


Teaching Awards

Betts Award for Excellence in Teaching Composition, UNC-Chapel Hill, 2021

Undergraduate Teaching Award (SUTASA), UNC-Chapel Hill, 2020

Erika Lindemann Award for Excellence in Teaching Composition, UNC-Chapel Hill, 2018

Erika Lindemann Award for Excellence in Teaching Literature, UNC-Chapel Hill, 2015


Awards

Frankel Departmental Dissertation Fellowship, UNC-Chapel Hill, 2021

UNC-King’s College London Global Partnership Grant, 2019

UNC-King’s College London Global Partnership Grant, 2017

Graduate and Professional Student Federation Travel Grant, UNC-Chapel Hill, 2015

George Hills Harper Summer Research Fellowship, UNC-Chapel Hill, 2013-2014

M.A.P.H. Fellowship, University of Chicago, 2007-2008

Phi Beta Kappa, University of Texas, 2005


Abigail Lee

December 5, 2018

Degrees

2016, M.F.A. Poetry Writing, University of North Carolina — Greensboro

2008, B.A. English, University of Virginia — Charlottesville

Bio

Abigail studies contemporary multiethnic literatures, with a focus on TV, film, music videos, and digital media. She holds an MFA in poetry writing and has taught courses in composition, American literature, and contemporary poetry.


Publications:

  • “Blue can be a place/ please can it be a place” finalist for 2015-2016 Mid-American Review James Wright Prize, Vol 36, no. 2 (spring 2016).
  • “somebody or other pretended a revelation” in Prairie Schooner, vol. 90, no. 3 (fall 2016).
  • “and while he told the sands of his hour-glass, or the throbs and little beatings of his watch” in Bayou Magazine, vol. 65 (fall/winter 2016).
  • “The library of July” in CALYX, vol. 29, no. 1 (winter 2016).
  • “Two Face reads that batman has returned” in Barrow Street, (winter 2014).

Awards

  • Humanities for the Public Good, Professional Pathways Award, project developing curricula for UNC correctional education courses, summer 2018
  • Richard Bland Fellowship, Center for the Study of the American South, summer 2017

Trisha Federis Remetir

November 8, 2018

Degrees

2012, BA English, University of California at Berkeley

Bio

Trisha Federis Remetir is a doctoral candidate at UNC Chapel Hill who writes about transpacific migration, representations of water extractions, interspecies entanglements, coloniality, anglophone Filipinx and world literatures, and gender. In her research and teaching methods, she is committed to pushing the boundaries of literary, cultural, and media studies to examine questions of race, gender, and settler logics, while thinking about futures of care, transnational solidarity, and abolition with students.

Trisha’s dissertation, Unfamiliar Waters: Representations of Resource Extraction in the Philippines, 1970s to present, argues that extractive projects in waters in and around the Philippines have altered the composition of water, both on material and representational scales. By examining  examples of water in transnational Filipinx contemporary poetry, 1970s Filipino social realist film, historical archives, and other media, this project pushes against the assumption that the Philippines’ relationship to the Global North is solely defined by extraction of inanimate resources on land (such as oils and minerals)—in fact, this project argues that 20- and 21st century extractive water projects are focusing more on the management of renewable resources and regulating the movement of animate beings (such as human bodies and fish), to the detriment of all. The three chapters, entitled SaltwaterFreshwater, and Storms, each take on three  “types” of water as they were redefined by various moments of resource extraction, such as transnational migration patterns set into place during the Marcos authoritarian regime, movements to nationalize freshwater spaces for aquaculture, and tenuous responses to ever-increasing typhoons. This project makes significant contributions to the  Critical Filipino Studies, Feminist Science and Technology Studies (STS), and media and cultural studies by conversing with scientific archives and artists as they make sense of their changing relationships to water and aquatic life. And lastly, the project contends that Filipino/a/x water aesthetics also challenges extraction’s singular vision of water by uncovering manifold ways of living in relation to water.  In so doing, artists and cultural producers in this study alter water’s cultural and material makeup as well.

Trisha’s forthcoming work can be seen in the edited collection Ecologies in Southeast Asian Media and Popular culture, and in public digital humanities projects as a 2020 Imagining America PAGE fellow. She has taught courses in digital humanities, world literature, ocean literature, and film.


Publications:

2021                (Forthcoming) “Aquaculture Visions, Techno-Settler Hierarchies, and The Mysterious Milkfish (1982),” edited collection Philippine Studies: Historical and Ethnographic Viewpoints, ed. Paul Michael Atienza and Dr. Kathleen Cruz Gutierrez.

 

2020                (Forthcoming) “National Properties, National Ecologies: Postcolonial and ecocritical engagements with Mikhail Red’s Birdshot (2016),” edited collection Ecologies in Southeast Asian Media and Popular Culture, ed. Dr. Jason Telles and Dr. Charles Ryan.


Teaching Awards

2020

  • Imagining America Publicly Active Graduate Education (PAGE) Fellow

Awards

2021

  • Digital Dissertation Fellowship

2020

  • Chancellor’s Doctoral Candidacy Award
  • Humanities for the Public Good Grant
  • UC Speculative Futures Collective grant
  • Southeast Asian Language Council Tuition Support Award
  • Imagining America Publicly Active Graduate Education (PAGE) Fellow

2019

  • Pre-Dissertation Exploration Award
  • Summer Foreign Language Area Studies (FLAS) fellow
  • Institute of the Arts and Humanities Travel Award
  • Representing Migrations Humanities Lab Fellowship (Duke)

2018

  • Summer Foreign Language Area Studies (FLAS) Fellowship

Curriculum Vitae / Resume

Carly Schnitzler

October 21, 2018

Degrees

2016, B.A. English modified with Philosophy, minor in Ethics, Dartmouth College

Bio

Carly Schnitzler is a PhD candidate and teaching fellow studying digital rhetoric and computational arts and poetics.


Curriculum Vitae / Resume