Degrees

2016, BA Religious Studies, Palm Beach Atlantic University

2021, MA Liberal Arts, University of Pennsylvania

Bio

Emily Waller Singeisen is a current PhD student and teaching fellow. As a graduate student and an educator, she has taught courses and developed curriculum in literature, film, and classical reception in English literature and popular culture. She is a graduate of the Masters of Liberal Arts program at the University of Pennsylvania where her research concentrations included the ancient novel and its reception, gender and queer theory, and psychoanalysis. Her published work has examined the formation of gendered subjectivity in the ancient novel through the framework of Freud’s female Oedipus complex, and she continues to investigate the ways in which contemporary theory might enrich our reading of ancient literature.

Publications:

“Gender Constitution and Reversible Potentiality: The Making of the Masculine Subject in Longus’ Daphnis and Chloe” in differences: A Journal of Feminist Cultural Studies 33, no. 1.

Awards

Recipient of the 2022 Ancient Worlds, Modern Communities Grant by the Society for Classical Studies for the project “Mythic Women / Modern Incarnations,” a public art installation and lecture deepening local engagement with feminist approaches to the Classics.

Curriculum Vitae / Resume

Degrees

2023, B.A. Gender Studies / English, University of North Carolina at Chapel Hill

Bio

xochi-maría ramos-lara (she/they) is a doctoral student in english and comparative literature. her main research interest focuses on the (lacanian) subjectivity of gay latinx poets as they wrote during the american aids epidemic of the 80s and 90s, taking into account the presence of the hiv virus itself as an important character. besides this, x. is interested in non-white marxist critiques of the state, hegemonic ideologies, and culture; anti-white violent resistance via brown power (ex. the palestinian intifadas); queer performances of subversion in the american drag and ballroom scenes; and the power dynamics of bareback subculture in gay pornography.

outside of the academy, x. loves writing poetry, collective education on critical ethnic studies, participating in local political action, and going to gay clubs as a form of praxis.

Publications:

• “i planted some lavender in my front yard saturday morning,” SAGE, 2024.
• “afuera,” Screen Door Review, 2023.
• “white mother,” Carolina Muse: Literary & Arts Magazine, 2023.

Curriculum Vitae / Resume

Degrees

2023, MA English, University of North Carolina at Greensboro

2022, BA English, University of North Carolina at Greensboro

Bio

Rene Marzuk is interested in exploring continuities across languages and cultures. He is particularly intrigued by literary articulations of marginalized identities and by literary instances of emergence, widely defined. He is drawn to intertextual approaches that reveal the production of knowledge as a collective endeavor spanning times, cultures, and disciplines.

Awards

William Neal Reynolds Fellowship within the Royster Society of Fellows

Curriculum Vitae / Resume

Degrees

2018, MA English, New York University

2016, BA English, University of California, Los Angeles

Bio

Celeste is a graduate student in UNC’s English and Comparative Literature Department. They work as a teaching fellow for the department, an assistant at The William Blake Archive, and for the Jane Austen Summer Program. Celeste is currently interested in exploring ideas of apocalypse and ruin in the Long Nineteenth-Century.

Curriculum Vitae / Resume

Degrees

2009, BA English with Teacher’s Certification, Eastern Illinois University

2020, MA English, Wayne State University

Bio

Originally from central Illinois, Lindsay is a PhD student and teaching fellow focusing on post-conquest (c. 1100-1300) medieval literature.  Previous research has focused on food in medieval literature, early modern broadside ballads, and perceptions of mental illness in medieval Europe.  Outside of medieval literature, Lindsay is also interested in teaching pedagogy and taught high school English and special education before returning to academia.  She has also worked extensively with a group of instructors at UNC who design coursework focusing on publication in the PIT Journal.

Publications:

Miller, Lindsay, Sarah Chapman and Lynn Losh 2019. Going beyond Lear: Performance and Taming of the Shrew. Dividing the Kingdoms:Interdisciplinary Methods for Teaching King Lear to Undergraduates: Performance: Wayne State University. https://guides.lib.wayne.edu/folgerkinglear/performance

Ragle-Miller, Lindsay et. Al. The Warrior Women Project: Wayne State University. https://s.wayne.edu/warriorwomen/

Curriculum Vitae / Resume

Degrees

2020, BA English, Indiana University

2020, BA Anthropology, Indiana University

2022, MA English, Syracuse University

Bio

My area of focus is on horror, race, gender, and sexuality and how the these intersecting ties are utilized within popular media throughout American history. Specifically within film, television, novels, and video games, I am interested in how these various mediums relay American history through a horror/gothic lens.

Degrees

2020, MA English Literature, Virginia Tech
2015, BA English Literature and Education, Roanoke College

Bio

Anna Merz is a second year PhD student interested in literature of the long, undisciplined nineteenth century, Anna’s past research projects have centered literary depictions of Victorian education and childhood. Her early-stage dissertation research focuses on depictions and illustrations of “bad” children in Victorian literature, especially the ways in which “badness” as a label is often gendered and racialized.

At UNC, Anna works closely with the Jane Austen Summer Program, a public humanities outreach program, and in the William Blake Archive—a Digital Humanities project cataloguing Blake’s works.

Teaching Awards

• Richard Hoffman GTA Teaching Award for Excellence: Virginia Tech English Departmental Award, 2020
• Michael J. Sandridge Education Award for Excellence: Roanoke College, 2015
• English Department Teaching Award for Excellence: Roanoke College, 2015

Awards

• Caroline Pace Chermside Award for Best Master’s Thesis: Virginia Tech, 2020
• Dickens Universe Fellow, 2020
• Phi Beta Kappa, 2015
• Briethaupt Scholarship for the Scholarly Study of Literature: Roanoke College, 2014

Degrees

BA English, Andrews University

MA English, University of Oklahoma

Bio

I am currently interested in video game studies, digital rhetoric, and digitial composition pedagogy. My previous work looked at the horror video game Amnesia: The Dark Descent and its uses of virtual spaces to generate affects of fear and anxiety. Currently, I’m interested in studying competitive e-sports titles such as League of Legends and Starcraft II to understand how their fast-paced forms of gameplay require and generate new forms of literacies.

Publications:

Lee, Charles (2021), ‘Running scared: Fear and Space in Amnesia: The Dark
Descent’, Journal of Gaming & Virtual Worlds, 13:1, pp. 93–112.

Degrees

2020, BA English and Visual Arts, University of Richmond

Bio

Carson Watlington is a PhD student in the department of English & Comparative Literature and the Graduate Assistant for Film Studies. Her work is rooted in 20^th/21^st century American Literature, with a particular attention to minority and ethnic texts.

Degrees

2019, BA English, Mount Holyoke College

Bio

My scholarly interests naturally converge around questions of trauma, ethics, affect, and divergent subjectivities in narratives of resistance and reconciliation. My work is grounded in an intersectional feminist hermeneutic lens to explore the role of gender, sexuality, and settler colonialism in texts by contemporary American multiethnic women writers. I am also interested in speculative imagery and it’s significance in illuminating historically silenced facets of subjectivity. Psychoanalytic criticisms surrounding haunting and trauma, in conjunction with an exploration of queer women’s psyches as sites for potential violence or intimacy are also uniquely compelling to me. My work asks how/why ‘deviant affects’ are labeled as such, and why the burden of silencing those affects largely falls on “marginalized” folks, i.e. queer and trans women of color?