Degrees

2018, MA English, Wake Forest University

2016, BA English, Drexel University

Bio

Krysten is a PhD student and teaching fellow in the department of English and Comparative Literature. Her research interests reside at the intersection of environmental humanities and contemporary LatinX literature. Topics which she finds exciting relate to the rhetoric of environmental advocacy, the myriad of emotional responses to the threat of climate change, and the ways in which LatinX writers and artists create environmental epistemologies through their works. Outside of the academy, she enjoys nurturing all forms of human and other life through her passion for plants, pets, and parenting.

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Publications:

• “Memory, Temporality, and Communal Realization: Reading the Nomadic Subject in Rivera’s ...And the Earth Did Not Devour Him.” Aztlán: A Journal of Chicano Studies, vol. 45, no. 2, 2020.

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Teaching Awards

• UNC Latina/o Studies Program Teaching Award (Fall 2020)

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Awards

• H. Broadus Jones MA Student Award for Excellence in English (Spring 2018)

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Degrees

2009, MA Comparative Literature, The University of North Carolina at Chapel Hill

2005, BA Spanish, Goucher College

Bio

Rebecca Garonzik is a doctoral candidate in Comparative Literature. Her areas of specialization are twentieth and twenty-first century Latin American and Latinx literatures. She is currently completing her dissertation, “Eros Galvanized: Critical Intersections of Eroticism and Politics in Contemporary Latin American and Latina/o/x Literatures (1965-2011),” under the direction of Juan Carlos González Espitia. In addition to her research on socially committed literature, Rebecca has also published work on poetics and Foucauldian discourse analysis. She is the founding co-president of the Literatures of the Americas working group.

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Publications:

• “Beyond Marcuse: Guevara’s Influence on the Revolutionary Erotic in Julio Cortázar’s Libro de Manuel.” A Contracorriente 13.2 (Winter 2016): 1-24. Web. 8 March 2016.
• “Deconstructing Psychiatric Discourse and Idealized Madness in Cristina Rivera Garza’s Nadie me verá llorar.” Chasqui: Revista de Literatura Latinoamericana 43.1 (May 2014): 3-14.
• “‘To name that thing without a name’: Linking Poetry and the Child’s Voice in Sandra   Cisneros’s The House on Mango Street.” Letras Femeninas 37.2 (Winter 2011): 139-55.
• “Queering Feminism: Cristina Rivera Garza’s La cresta de Ilión and the Feminine Sublime.” Cuaderno Internacional de Estudios Humanísticos y Literatura 14 (Fall 2010): 45-56.
• “Permanencias de Juan Rulfo en la crítica contemporánea.” Rev. of Ecos y murmullos en la obra de Rulfo, Ed. Julio Moguel and Enrique Sáinz. Confluencia 24.2 (Spring 2009): 151-53.

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Awards

• Frankel Dissertation Fellowship
• Phi Beta Kappa
• Helen Carroll Shelley Prize in Romance Languages

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Curriculum Vitae / Resume

Degrees

• 2017, BA Critical Studies in English Cultures, Literatures, and Film, University of Wisconsin – Eau Claire
• 2017, BA Latin American Studies, University of Wisconsin – Eau Claire

Bio

emilio Jesús Taiveaho Peláez is a first-generation migrant and a PhD. student—in that order—through the Department of English & Comparative Literature at the University of North Carolina, Chapel Hill. As both poet and scholar, their work engages the intersection of aesthetic experience and political discipline, blending critical, creative, and archival inquiry. Focusing on 20^th-century hemispheric experimental poetry, their dissertation (tentatively titled Ojos de Hierba: Walt Whitman’s Children & the American Lyric) probes the shared literary and philosophical history of the Américas through the lens of Neobaroque aesthetics, tracing dissonant and dissident relations in the life and work of figures such as Federico García Lorca, Langston Hughes, Allen Ginsberg, Néstor Perlongher, and Cecilia Vicuña. emilio’s first book of poetry, landskips (words are a hard look), a latinX exploration of the sonics and optics of our contemporary American Landscapes, is forthcoming through The Concern Newsstand.

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Publications:

• Taiveaho, Emilio Jesús. “Cartographies of Refuge, Music, and Survival: A Review of They Can’t Kill Us Until They Kill Us.” Carolina Quarterly Online, 2018.
• Dekeersgieter, Colin, and Emilio Taiveaho Peláez. “Episode 8: Langston Hughes in Chapel Hill (pt. 1).” CQ Speaks Podcast, 25 February 2020.
• Dekeersgieter, Colin, and Emilio Taiveaho Peláez. “Episode 9: Langston Hughes in Chapel Hill (pt.2) ‘Christ in Alabama.’” CQ Speaks Podcast, 3 June 2020.

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Teaching Awards

• Latina/o Studies Teaching Grant – 2020

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Awards

• 2017 – Present: Mellon Fellow

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Degrees

 

Bio

Dwight Tanner is a Ph.D. candidate in English at the University of North Carolina at Chapel Hill. He is the recipient of a Charlotte W. Newcombe Dissertation Fellowship for 2019-2020. Dwight works in 21st century American/British literature with a focus on Ethnic Literatures and Critical Race Theory. His current research focuses on minoritarian identity and conceptions/rhetorics of change in apocalyptic narratives. He also studies posthumanism, speculative fiction, environmental humanism, and drama and performance theory.

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Publications:

• Refereed Journal Article
  • 2019  “‘She Forgot’: Obscuring White Privilege and Colorblindness in Harper Lee’s Novels” South Atlantic Review. 84.1 (March 2019): 54-71.

• Book Review
  •  2020  Review of Beth Lew Williams. The Chinese Must Go: Violence, Exclusion, and the Making of the Alien in America. Harvard University Press,  2018. In Journal of Asian American Studies (2020). Forthcoming February 2020.

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Teaching Awards

• Gaskin Award for Excellence in Teaching First Year Composition (2015)

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Awards

• 2019-20  Charlotte W. Newcombe Doctoral Dissertation Fellowship, The Woodrow Wilson National Fellowship Foundation
• 2019   Graduate Tuition Incentive Scholarship, The Graduate School, The University of North Carolina at Chapel Hill
• 2019  Graduate Student International Travel Grant, The Graduate School, The University of North Carolina at Chapel Hill
• 2018  Kenan Graduate Fellowship, College of Arts and Sciences, The University of North Carolina at Chapel Hill
• 2018  Summer Dissertation Research Fellowship, Department of English and Comparative Literature
• 2018  Baxter Grant, American Studies Association
• 2018  CSA Travel Grant, Center for the Study of the American South, The University of North Carolina at Chapel Hill
• 2017  Institute for the Arts and Humanities Collaboration Grant, UNC Institute for the Arts and Humanities
• 2015  Gaskin Award for Excellence in Teaching, UNC Department of English and Comparative Literature
• 2013  Booker Fellowship, UNC Department of English and Comparative Literature

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Degrees

2017, BA Literature, BA Spanish, University of North Carolina Asheville

Bio

Marcy Pedzwater studies twentieth and twenty-first century North and Latin American literature. Her current research focuses on the intersections of race, gender, and colonialism/imperialism in Post-dictatorship literature of the Americas. She is also interested in the function of memory, archive, and trauma in these texts. She teaches English 105, Spanish 105, and Spanish 203.

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Publications:

• Review of Forms of Dictatorship: Power, Narrative, and Authoritarianism in the Latina/o Novel, by Jennifer Harford Vargas, Chiricú, Fall 2019.
• “Thinking with José Revueltas and Roberto Bolaño: Philosophical Literary Approaches to Latin America.” Review of José Revueltas y Roberto Bolaño: Formas genéricas de la experiencia by Alejandro Sánchez Lopera, A Contracorriente, vol. 15, no. 3, Spring 2018.
•  “Not of this World: Divine Radical Inclusivity as a Foil to Worldly Wisdom in Flannery O’Connor’s The Violent Bear It Away,” The Sigma Tau Delta Review, vol. 14, Sigma Tau Delta, Spring 2017.

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Degrees

2011, B.A. Feminist, Gender, and Sexuality Studies, Cornell University

2012, M.A. History, Carnegie Mellon University

Bio

Mark Collins is a PhD student in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. He works in the fields of contemporary American and multi-ethnic literature and women’s and gender studies. His academic interests include: feminist theory, science and technology studies, critical race theory, and cultural studies. Mark is currently working on his dissertation project, called “Nuclear Reproduction: Race, Gender, and Reproductive Control in US Cold War Speculative Fiction,” which explores the relationship between the discourses of nuclear warfare and reproduction in literary and cultural texts from the decades spanning the Cold War period.

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Curriculum Vitae / Resume

Degrees

• 2013, M.A. English and Comparative Literature, UNC-Chapel Hill.
• 2008, B.A. English, George Mason University.

Bio

María J. Durán is a PhD Candidate in the Department of English and Comparative Literature and Graduate Assistant for the UNC Latina/o Studies Program. Her dissertation examines portrayals of pain in Latinx literature and the ways it can give birth to or elevate political consciousness to incite resistance and social protest in Latinx communities.

Durán has served as a guest blogger for UNC’s Institute for the Study of the Americas (ISA), and she has published in the leading Chicana/o Studies Journal, Aztlán. She has taught ENGL 105, ENGL 105i Business, ENGL 129, WGST 233, and ENGL 364.  As a theatre artist, Durán co-directed a sold-out production of In the Heights(Spring 2017), staged at The ArtsCenter in Carrboro, NC. She was invited to share her theatre work at the National Association of Latino Arts and Cultures (NALAC) Regional Arts Training in Charlotte, NC (Summer 2017). Recently, she directed a staged reading of Just Like Us, a play about undocumented youth by Karen Zacarías (March 2018). She currently serves on the PlayMakers Repertory Company Advisory Council.

Durán is an advocate for underrepresented minority education.  She has worked with The Moore Undergraduate Research Apprentice Program (MURAP) at UNC-Chapel Hill to assist talented underrepresented undergraduate students from diverse backgrounds in their pursuit of doctoral degrees. In Summer 2015, she received the UNC Graduate School’s Richard Bland Fellowship and interned with Juntos, a North Carolina State University cooperative extension program that helps Latinx students achieve higher education. She is also a Carolina Firsts Advocate for undergraduate students and serves on the advisory board for the Carolina Grad Student F1RSTS. In her spare time, Durán enjoys visiting coffeeshops, hot yoga, traveling, and spending time with her two pet bunnies. Click here to read about Durán’s decision to pursue graduate studies and what advice she has for prospective graduate students.

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Publications:

Refereed Journal Articles

• “Bodies That Should Matter: Chicana/o Farmworkers, Slow Violence, and the Politics of (In)visibility in Cherríe Moraga’s Heroes and Saints.” Aztlán: A Journal of Chicano Studies, vol 42, no 1, 2017, pp. 45-71.

Other Publications (published under maiden name “Obando”)

• “Harvesting Dignity: Remembering the Lives of Farmworkers.” Institute for the Study of the Americas, UNC-CH (December 2012).
• “Latinos Reach New Highs in College Enrollment.” Institute for the Study of the Americas, UNC-CH (November 2012).

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Awards

• Ford Foundation Dissertation Fellowship, Honorable Mention (April 2018)
• Diversity and Student Success Travel Award, The Graduate School, UNC-CH (April 2018)
• Performing Arts Special Activities Fund Grant, Office of the Executive Vice Chancellor and Provost, UNC-CH (2017-2018)
• Chancellor’s Doctoral Candidacy Award, Initiative for Minority Excellence, UNC-CH (Fall 2017).
• Mellon Dissertation Grant, Institute for the Study of the Americas, UNC-CH (Summer 2017).
• Hispanic Scholarship Fund Scholar (Spring 2017).
• Future Faculty Fellowship Program, Center for Faculty Excellence, UNC-CH (Fall 2016).
• Florence Brann Eble Summer Research Fellowship, The Graduate School, UNC-CH (Summer 2016).
• Richard Bland Fellowship, The Graduate School, UNC-CH (Summer 2015).
• Travel Grant, English and Comparative Literature, UNC-CH (Spring 2017, 2015, 2013, 2012).
• Moore Undergraduate Research Apprentice Program Fellowship (Summer 2008).

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