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Christopher Catanese

April 26, 2022

Degrees

2013, M.A. English, Duke University

2008, B.A. English, Davidson College

Bio

I work on British and transatlantic literature of the eighteenth century and Romantic era, with an emphasis on poetry and genre. I am particularly interested in evolving systems of land use, in working-class writers and rural issues, commons and enclosures, and economic and agricultural history. I have published on Samuel Johnson, antiquarianism, and the mass reading public; on Jean-Baptiste Lamarck, vitalism, and Romantic-era natural history, and my journal article on Robert Bloomfield, Wordsworth, and Romantic genre transformations won the 2016 Ralph Cohen Prize in New Literary History. I also publish poetry and literary translations, and I am coeditor of the small poetry press Golias Books.


Publications:

  • “Refinement and Romantic Genre,” New Literary History 48, no. 1 (2017). Winner of the 2016 Ralph Cohen Prize.
  • “Johnson, Warton, and the Romance Reader,” in Community and Solitude: New Essays on Johnson’s Circle, edited by Anthony Lee (Bucknell University Press, 2019).
  • “Survival Narratives: The Georgic and the Romantic Genre-System,” in Narratives of Romanticism, edited by Sandra Heinen and Katharina Rennhak (Wissenschaftlicher Verlag Trier, 2017).
  • Precious against a Precious Thing: Selected Poems of Michael Field, selected, edited, and introduced by Christopher Catanese and Lawrence Giffin, preface by Stacy Szymaszek (Golias Books, 2019).

Awards

  • 2016. Graduate Research Fellowship, 18th-century British paintings collections, North Carolina Museum of Art, Raleigh, NC
  • 2016. Duke International Research Travel Award, University of Vienna, Austria
  • 2015–2016. William Preston Few Fellowship, Duke University
  • 2015. Six-Month Research Fellowship, Deutscher Akademischer Austausch Dienst (DAAD), Seminar für Englische Philologie, Georg-August-Universität Göttingen
  • 2015. Duke International Research Travel Award, Niedersächsische Staats- und Universitätsbibliothek Göttingen
  • 2015. Anne T. and Robert M. Bass Summer Research Fellowship, Goethe-Institut Göttingen

Curriculum Vitae / Resume

Audrey J. Gibson

September 16, 2021

Degrees

2021, BA English, Centenary College of Louisiana

2021, BA French, Centenary College of Louisiana

Bio

Audrey Gibson is a first-year PhD student in the Department of English and Comparative Literature. She is broadly interested in 20th century American literature, with particular emphasis on Southern and multiethnic writing. Her previous research has focused on French-language poetry, particularly Afro-Creole literature, situated in New Orleans during the Civil War and Reconstruction. This research explored the construction of identity and community through language, publication, education, religion, and political involvement.


Elisabeth McClanahan Harris

June 15, 2021
Photo of Elisabeth McClanahan

Degrees

2019, MA English, George Washington University

2012, BA Humanities, Columbia International University

Bio

Elisabeth studies 19th century American literature and medicine, focusing on how changing theories of mental illness and its treatment were encoded in congregate care institutions over the course of the century. Her research, which draws on a varied archive of patient memoirs, journalistic exposes, and fictional depictions of congregate care, investigates entanglements of race, gender, and disability in questions of mental healthcare.


Publications:

“Conversion and Countermemory: Jarena Lee, Maria Stewart, and the Spiritual Motherhood of Mary Magdalene.” Nineteenth-Century American Women Writers and Theologies of the Afterlife: A Step Closer to Heaven, edited by Emily Hamilton-Honey and Jennifer McFarlane Harris, Routledge, 2021.


Awards

  • Robert Bain Award for scholarship in American Literature, UNC English Department, 2021
  • Southern Futures Graduate Award, 2020
  • McCandlish Endowment Fellowship, 2017-2019
  • PEO Continuing Education Grant, 2018

Colin Dekeersgieter

September 25, 2019

Degrees

2012, B.A. English, University of Vermont

2014, M.A. Modern Literature, CUNY, Graduate Center

2017, M.F.A. Creative Writing, Poetry, New York University

 

Bio

Colin Dekeersgieter is a poet and Ph.D. candidate in English and Comparative Literature invested in modern poetry, poetics, and aesthetics with a focus on domesticity. His work has appeared or is forthcoming in the North American Review, Green Mountains Review, The Worcester Review, and elsewhere.


Awards

  • Goldwater Fellowship, New York University, 2017

Thomas Eric Simonson

September 18, 2019

Degrees

2019, MA in English, Wake Forest University

2017, BA in English, University of North Carolina at Charlotte

Bio

Thomas Eric Simonson divides his time between literature of the early modern era, especially drama, and 20th century transatlantic studies and literary theory.


Theodore Nollert

September 11, 2019
Photo of Theodore Nollert

Degrees

2016, BA English, Rhodes College

2019, MA English, University of Alabama

Bio

I specialize in literature, religion, and politics from 1550-1640, with expertise in lyric, dramatic, and narrative poetry from Chaucer to Milton (including Shakespeare). In addition to secondary competency in literary prose from 1500-1800, and special familiarity with the work of Laurence Sterne, I have taught courses on literature for primary and secondary schools, universities, continuing education programs, and correctional education programs. 

My dissertation will evaluate the political gist of English literary depictions of Julius Caesar in the context of more radical political theory


Awards

Mellon Fellowship (2019-2024)
Ruth Rose Richardson Award (2020)


Abigail Lee

December 5, 2018

Degrees

2016, M.F.A. Poetry Writing, University of North Carolina — Greensboro

2008, B.A. English, University of Virginia — Charlottesville

Bio

Abigail studies contemporary multiethnic literatures, with a focus on TV, film, music videos, and digital media. She holds an MFA in poetry writing and has taught courses in composition, American literature, and contemporary poetry.


Publications:

  • “Blue can be a place/ please can it be a place” finalist for 2015-2016 Mid-American Review James Wright Prize, Vol 36, no. 2 (spring 2016).
  • “somebody or other pretended a revelation” in Prairie Schooner, vol. 90, no. 3 (fall 2016).
  • “and while he told the sands of his hour-glass, or the throbs and little beatings of his watch” in Bayou Magazine, vol. 65 (fall/winter 2016).
  • “The library of July” in CALYX, vol. 29, no. 1 (winter 2016).
  • “Two Face reads that batman has returned” in Barrow Street, (winter 2014).

Awards

  • Humanities for the Public Good, Professional Pathways Award, project developing curricula for UNC correctional education courses, summer 2018
  • Richard Bland Fellowship, Center for the Study of the American South, summer 2017

Trisha Federis Remetir

November 8, 2018

Degrees

2012, BA English, University of California at Berkeley

Bio

Trisha Federis Remetir is a doctoral candidate at UNC Chapel Hill who writes about transpacific migration, representations of water extractions, interspecies entanglements, coloniality, anglophone Filipinx and world literatures, and gender. In her research and teaching methods, she is committed to pushing the boundaries of literary, cultural, and media studies to examine questions of race, gender, and settler logics, while thinking about futures of care, transnational solidarity, and abolition with students.

Trisha’s dissertation, Unfamiliar Waters: Representations of Resource Extraction in the Philippines, 1970s to present, argues that extractive projects in waters in and around the Philippines have altered the composition of water, both on material and representational scales. By examining  examples of water in transnational Filipinx contemporary poetry, 1970s Filipino social realist film, historical archives, and other media, this project pushes against the assumption that the Philippines’ relationship to the Global North is solely defined by extraction of inanimate resources on land (such as oils and minerals)—in fact, this project argues that 20- and 21st century extractive water projects are focusing more on the management of renewable resources and regulating the movement of animate beings (such as human bodies and fish), to the detriment of all. The three chapters, entitled SaltwaterFreshwater, and Storms, each take on three  “types” of water as they were redefined by various moments of resource extraction, such as transnational migration patterns set into place during the Marcos authoritarian regime, movements to nationalize freshwater spaces for aquaculture, and tenuous responses to ever-increasing typhoons. This project makes significant contributions to the  Critical Filipino Studies, Feminist Science and Technology Studies (STS), and media and cultural studies by conversing with scientific archives and artists as they make sense of their changing relationships to water and aquatic life. And lastly, the project contends that Filipino/a/x water aesthetics also challenges extraction’s singular vision of water by uncovering manifold ways of living in relation to water.  In so doing, artists and cultural producers in this study alter water’s cultural and material makeup as well.

Trisha’s forthcoming work can be seen in the edited collection Ecologies in Southeast Asian Media and Popular culture, and in public digital humanities projects as a 2020 Imagining America PAGE fellow. She has taught courses in digital humanities, world literature, ocean literature, and film.


Publications:

2021                (Forthcoming) “Aquaculture Visions, Techno-Settler Hierarchies, and The Mysterious Milkfish (1982),” edited collection Philippine Studies: Historical and Ethnographic Viewpoints, ed. Paul Michael Atienza and Dr. Kathleen Cruz Gutierrez.

 

2020                (Forthcoming) “National Properties, National Ecologies: Postcolonial and ecocritical engagements with Mikhail Red’s Birdshot (2016),” edited collection Ecologies in Southeast Asian Media and Popular Culture, ed. Dr. Jason Telles and Dr. Charles Ryan.


Teaching Awards

2020

  • Imagining America Publicly Active Graduate Education (PAGE) Fellow

Awards

2021

  • Digital Dissertation Fellowship

2020

  • Chancellor’s Doctoral Candidacy Award
  • Humanities for the Public Good Grant
  • UC Speculative Futures Collective grant
  • Southeast Asian Language Council Tuition Support Award
  • Imagining America Publicly Active Graduate Education (PAGE) Fellow

2019

  • Pre-Dissertation Exploration Award
  • Summer Foreign Language Area Studies (FLAS) fellow
  • Institute of the Arts and Humanities Travel Award
  • Representing Migrations Humanities Lab Fellowship (Duke)

2018

  • Summer Foreign Language Area Studies (FLAS) Fellowship

Curriculum Vitae / Resume