Degrees

2020, BA English, George Washington University

Bio

Ryan Carroll is a PhD student in the Department of English and Comparative Literature. He is interested in media technologies and mediation as literary technology in 19th-century Transatlantic literature, with focus on the way that the documentary form (which includes epistolary novels, slave narratives, and sensation fiction) serves as a mode of theorization, creation, and possibility-making in the imperial world. His interests also include global modernism, literary theory and form, hermeneutic phenomenology, religion, and magical realism.

Outside of academia, Ryan writes on theology, particularly queer and liberation theology. His work has been published by theology publications and the Jesuit Conference of Canada and North America.

Publications:

Carroll, Ryan. “The Pilgrim’s Book.” The Jesuits, https://www.jesuits.org/stories/the-pilgrims-book/, 2021.

Carroll, Ryan. “Fragments of the Eschaton: Queer Christian Soteriology.” Macrina Magazine, https://macrinamagazine.com/issue-8-general/guest/2021/09/11/fragments-of-the-eschaton-queer-christian-soteriology/, September 11, 2021.

Carroll, Ryan. “An Ongoing Revelation: Endings and Poetics of Missingness in the Novels of Virginia Woolf and Gabriel García Márquez.” Portals: A Journal in Comparative Literature, July 12, 2020.

Degrees

2018, MA English, Wake Forest University

2016, BA English, Drexel University

Bio

Publications:

• “Memory, Temporality, and Communal Realization: Reading the Nomadic Subject in Rivera’s ...And the Earth Did Not Devour Him.” Aztlán: A Journal of Chicano Studies, vol. 45, no. 2, 2020.

Teaching Awards

• UNC Latina/o Studies Program Teaching Award (Fall 2020)

Awards

• H. Broadus Jones MA Student Award for Excellence in English (Spring 2018)

Degrees

2016, BA French and Comparative Literature, Binghamton University

Bio

Chloe Hamer is a third-year graduate student focusing on 20th Century Francophone Caribbean literature and memory studies.

Degrees

2013, BA English, Hendrix College

2016, MA Social Sciences, University of Chicago

Bio

My work centers on questions of subjectivity, agency, and desire in twentieth-century American literature and global cinema. Most recently, I have become interested in the relationship between debt and desire as dual economic and psychological forces that structure contemporary experience. Living and teaching abroad (most recently, Brazil) has shaped my approach to literature and film and has enabled me to explore transatlantic cultural and aesthetic influences on literary and cinematic forms.

Publications:

• “Pilar’s Turn Inward: Storytelling in Hemingway’s For Whom the Bell Tolls,” Teaching Hemingway and War, Kent State University Press, 2015.

Awards

• Fulbright English Teaching Fellowship, Brazil, 2014
• FLAS Fellowship, Brazil, 2018

Curriculum Vitae / Resume

Degrees

• 2017, BA Critical Studies in English Cultures, Literatures, and Film, University of Wisconsin – Eau Claire
• 2017, BA Latin American Studies, University of Wisconsin – Eau Claire

Bio

emilio Jesús Taiveaho Peláez is a first-generation migrant and a PhD. student—in that order—through the Department of English & Comparative Literature at the University of North Carolina, Chapel Hill. As both poet and scholar, their work engages the intersection of aesthetic experience and political discipline, blending critical, creative, and archival inquiry. Focusing on 20^th-century hemispheric experimental poetry, their dissertation (tentatively titled Ojos de Hierba: Walt Whitman’s Children & the American Lyric) probes the shared literary and philosophical history of the Américas through the lens of Neobaroque aesthetics, tracing dissonant and dissident relations in the life and work of figures such as Federico García Lorca, Langston Hughes, Allen Ginsberg, Néstor Perlongher, and Cecilia Vicuña. emilio’s first book of poetry, landskips (words are a hard look), a latinX exploration of the sonics and optics of our contemporary American Landscapes, is forthcoming through The Concern Newsstand.

Publications:

• Taiveaho, Emilio Jesús. “Cartographies of Refuge, Music, and Survival: A Review of They Can’t Kill Us Until They Kill Us.” Carolina Quarterly Online, 2018.
• Dekeersgieter, Colin, and Emilio Taiveaho Peláez. “Episode 8: Langston Hughes in Chapel Hill (pt. 1).” CQ Speaks Podcast, 25 February 2020.
• Dekeersgieter, Colin, and Emilio Taiveaho Peláez. “Episode 9: Langston Hughes in Chapel Hill (pt.2) ‘Christ in Alabama.’” CQ Speaks Podcast, 3 June 2020.

Teaching Awards

• Latina/o Studies Teaching Grant – 2020

Awards

• 2017 – Present: Mellon Fellow

Degrees

2017, BA Literature, BA Spanish, University of North Carolina Asheville

Bio

Marcy Pedzwater studies twentieth and twenty-first century North and Latin American literature. Her current research focuses on the intersections of race, gender, and colonialism/imperialism in Post-dictatorship literature of the Americas. She is also interested in the function of memory, archive, and trauma in these texts. She teaches English 105, Spanish 105, and Spanish 203.

Publications:

• Review of Forms of Dictatorship: Power, Narrative, and Authoritarianism in the Latina/o Novel, by Jennifer Harford Vargas, Chiricú, Fall 2019.
• “Thinking with José Revueltas and Roberto Bolaño: Philosophical Literary Approaches to Latin America.” Review of José Revueltas y Roberto Bolaño: Formas genéricas de la experiencia by Alejandro Sánchez Lopera, A Contracorriente, vol. 15, no. 3, Spring 2018.
•  “Not of this World: Divine Radical Inclusivity as a Foil to Worldly Wisdom in Flannery O’Connor’s The Violent Bear It Away,” The Sigma Tau Delta Review, vol. 14, Sigma Tau Delta, Spring 2017.