Doug Stark

July 1, 2019

Degrees

Bio

Doug Stark is a PhD student in the English program at UNC, Chapel Hill. His research appraises the role of play and experimentation across literature, film, video games, and new media. Drawing on his background in game studies, Germanophone media theory, and continental philosophy, Doug’s thinking concerns the conditions of possibilities for forms of play transhistorically and transculturally. He asks: what are the epistemic, cultural, and technical preconditions for the emergence of forms of play? For example, why do we have computer game play as we know it today? Why the ostentatious play of baroque wigs in the late eighteenth century? Across time and space, Doug contends, we can see a complex enmeshment of cultural values, forms of knowledge, and technical development refracted through the medium of play. Currently focusing on post-war aleatory aesthetics, Doug is particularly interested in forms of play that seem to operate in excess of epistemic paradigms of thought.

Doug also has forthcoming work on video game literature and Afrofuturism.

Prospective ENGL 105 students should know that the content of the course will engage in some way with games and play.


Publications:

  • “‘A More Realistic View:’ Reimagining Sympoietic Practice in Octavia Butler’s Parable Series.” Extrapolation. (Forthcoming)
  • “Video Game Novels” Encyclopedia of Video Games: The Culture, Technology and Art of Gaming, Second Edition, edited by Mark J. P. Wolf. (Forthcoming)
  • “Ludic Literature: Ready Player One as Didactic Fiction for the Neoliberal Subject.” Playing the Field: Video Games and American Studies, edited by Sascha Pöhlmann, De Gruyter, 2019, pp. 153-173.

Curriculum Vitae / Resume

Paul Blom

May 6, 2019

Degrees

2010, MA English, DePaul University

2008, BA English, Birmingham-Southern College

Bio

Originally from LaGrange, GA, Paul is primarily interested in American literature from 1865 to the present and its intersection with medical humanities, especially trauma studies. He is primarily interested in the ethical and political implications of depictions of trauma in literature and other media. In addition to his scholarly work, he also teaches sections of ENGL105, tutors for the athletic department, and currently serves as the Fiction Editor for The Carolina Quarterly. He also writes original pieces of fiction, creative non-fiction, poetry, and drama as well as scripts for promotional videos and short narrative or documentary films.


Publications:


Awards

Recipient of multiple grants for “Popular Narratives and the Experience of War,” UNC-Chapel Hill, from The Graduate School; Humanities for the Public Good; The College of Arts & Sciences, Division of Fine Arts & Humanities; The College of Arts & Sciences, Division of Social Sciences & Global Programs; Carolina Veterans Resource Center; Department of English and Comparative Literature; Curriculum in Peace, War and Defense; Department of History; and Center for the Study of the American South, 2019


Curriculum Vitae / Resume

Benjamin J Murphy

May 6, 2019

Degrees

B.A, Humanities, Houghton College. Houghton, NY. 2014 

Bio

I am a PhD candidate in English at the University of North Carolina at Chapel Hill, where I study American literature of the long nineteenth century (1830-1914). My research focuses on prose narratives (fiction and non-fiction) in relation to science, critical theory, biopolitics, and race. More broadly, too, I am interested in genre fiction (especially horror, science fiction, and weird fiction), intellectual and social history, and the history of science.

My dissertation centers on literature and discourses of crowd psychology at the turn of the century. Considering novels, short stories, essays, and scientific writing, I argue that American writers between the end of Reconstruction and the start of WWI found in the complicated notion of the crowd a means to justify as well as to resist racial inequality. Whether claimed as the embodiment of democracy itself or shamed as a primitive resurgence, the crowd was for both white and black constituencies a pliable, powerful instrument.

My research on related topics has been published in Mississippi Quarterly and Configurations. Other writing, including essays and reviews, appears with The MillionsPopMatters, boundary2 online, symplokeGulf Coast, Full Stop, and The Carolina Quarterly. (Visit my website for links to my writing.)

As a Teaching Fellow in the English department, I regularly teach courses in composition and rhetoric. I have also taught ENGL 144: Popular Genres, served as a Teaching Assistant for ENGL 268: Literature, Medicine, and Culture, and been a Graduate Research Consultant for ENGL 344: Literature of the American West and CMPL 142: Visual Culture. 

Additionally, I have served in various editorial positions and am currently an editorial assistant for the journal American Literature. 


Publications:

  • Not So New Materialism: Homeostasis Revisited” Configurations: A Journal of Literature, Science, and Technology 27.1 (Winter 2019) Forthcoming
  • “The Lasting Impressions of Biopower,” Review of Kyla Schuller’s The Biopolitics of Feeling: Race, Sex, and Science in the Nineteenth Century [Duke University Press, 2018] symploke 26.1 (Forthcoming 2018)
  • “Exceptional Infidelity: James Dickey’s Deliverance, Film Adaptation, and the Postsouthern”Mississippi Quarterly 69.2 (Spring 2016) [Published Summer 2018]
  • “The Universes of Speculative Realism,” Review of Steven Shaviro’s The Universe of Things: On Speculative Realism [University of Minnesota Press, 2014] boundary 2: b2o review (June 1, 2017) Web

Teaching Awards

  • Erika Lindemann Teaching Award in Composition and Literature, 2018
  • Tanner Award for Excellence in Undergraduate Teaching, 2018
  • Student Undergraduate Teaching and Staff Award (SUTSA), 2017

Awards

  • Hobby Dissertation Fellowship, UNC Department of English, Fall Semester, 2019

  • Summer Research Dissertation Fellowship, UNC Graduate School,  2019

  • Best Graduate Student Essay, South Atlantic MLA (SAMLA), 2016

Curriculum Vitae / Resume

Jordan Klevdal

February 1, 2019

Degrees

2011, BA English, University of Colorado at Boulder

2018, MA English, University of Colorado at Boulder

Bio

I am interested in questions which look at memory and nostalgia and the way in which shifts in technology, political borders and intellectual thought have changed literature’s relationship to both. I’m broadly interested in modernism, 20th century literature, immigrant literature, memory studies, materiality, gender and sexuality, Jewish studies, the interplay of image and language, and critical theory.


Curriculum Vitae / Resume

Abigail Lee

December 5, 2018

Degrees

2016, M.F.A. Poetry Writing, University of North Carolina — Greensboro

2008, B.A. English, University of Virginia — Charlottesville

Bio

Abigail studies contemporary multiethnic literatures, with a focus on TV, film, music videos, and digital media. She holds an MFA in poetry writing and has taught courses in composition, American literature, and contemporary poetry.


Publications:

  • “Blue can be a place/ please can it be a place” finalist for 2015-2016 Mid-American Review James Wright Prize, Vol 36, no. 2 (spring 2016).
  • “somebody or other pretended a revelation” in Prairie Schooner, vol. 90, no. 3 (fall 2016).
  • “and while he told the sands of his hour-glass, or the throbs and little beatings of his watch” in Bayou Magazine, vol. 65 (fall/winter 2016).
  • “The library of July” in CALYX, vol. 29, no. 1 (winter 2016).
  • “Two Face reads that batman has returned” in Barrow Street, (winter 2014).

Awards

  • Humanities for the Public Good, Professional Pathways Award, project developing curricula for UNC correctional education courses, summer 2018
  • Richard Bland Fellowship, Center for the Study of the American South, summer 2017

Christine Johns

November 13, 2018

Degrees

2015, M.A. Critical and Cultural Theory, Cardiff University

2013, B.A. English, University of Central Florida

Bio

Christine is a doctoral student who studies critical theory, environmental literature, and science fiction. Her current research interests include literary and visual expressions of posthumanism, political theory, questions of community, and theories of space and/or place.


Trisha Remetir

November 8, 2018

Degrees

2012, BA English, University of California at Berkeley

Bio

Trisha Remetir is a doctoral student at UNC Chapel Hill writing about transpacific migration, coloniality, and gender.


Awards

  • Travel Award to attend El Mundo Zurdo Conference, 2018 (Initiative for Minority Excellence)
  • Foreign Language Area Studies Fellowship recipient to attend summer intensive program in Filipino, 2018 (Department of U.S. Education)
  • Migration Fellow, Representing Migrations Humanities Lab, 2018 (Duke University)
  • Travel Award to attend UNC-KCL Configurations of Empire conference at King’s College London, 2017 (Institute for Arts and Humanities)
  • SEASSI Scholarship for language study, 2017 (University of Wisconsin-Madison)
  • Future Faculty Fellow, 2017 (UNC)
  • Fulbright Teaching Assistant in the Czech Republic, 2012-2013 (U.S. Department of Education)

Erin Piemont

October 30, 2018

Degrees

2018, BA English, Davidson College

Bio

Erin Piemont studies postwar American poetry with special attention to poets of the New York School. Her research interests include lyric theory, the poetics of space, and relationships between postmodern poetry and contemporary critical theory.


Curriculum Vitae / Resume

Michael Fox

October 22, 2018

Degrees

M.A. English, University of Virginia

B.S. Computer Science (with a minor in Applied Mathematics), University of Virginia

Bio

As a doctoral candidate in English at UNC-Chapel Hill, I’m completing my dissertation entitled “The Aesthete’s Idea of History.” I’m the Assistant Editor and Software Architect at the William Blake Archive. And my interests include 19th-century British literature, Aestheticism, philosophy of history, poetry and poetics, literary theory, and the digital humanities.


Publications:

Humanities

Computer Science


Awards

  • Dissertation Completion Fellowship, Department of English and Comparative Literature, UNC-Chapel Hill, 2019.
  • Featured Project—The Redesign of the William Blake Archive, The Association for Documentary Editing (ADE), 2017.

Jacob T. Watson

October 15, 2018

Degrees

PhD, English, University of North Carolina at Chapel Hill, Defending 2018

M.A. English, University of Georgia at Athens, 2011

B.A. English, Philosophy Minor, University of Georgia at Athens, 2009

magna cum laude

Bio

I am a Ph.D. candidate specializing in critical theory, film and media. I’m currently thinking about the discourses surrounding audiovisual technology in the mid-twentieth century as they pertain to the history and prehistory of American broadcast television. My other interests include graphics, speculative fiction after World War II, image theory, information theory, and screen archeology. I have taught courses on contemporary literature, digital literature, film and visual culture. I’m also an avid hiker and obsessive music lover.


Publications:

“The Suffusion of the Televisual in The Crying of Lot 49.” Style 51.2 (2017).


Teaching Awards

  • 2017-18           UNC-CH English and Comparative Literature Distinguished Teaching Fellowship
  • 2015                UNC-CH English and Comparative Literature Senior Teaching Fellowship

Awards

  • 2016-17           UNC Graduate School Dissertation Completion Fellowship
  • 2016                The Eliason Dissertation Fellowship
  • 2015                The Carol and Edward Smithwick Summer Research Fellowship
  • 2015                The John R. Bittner Award for Outstanding Dissertation in Literature and Media

Curriculum Vitae / Resume