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Alex Story

October 26, 2023

Degrees

2017, BA English, University of Florida

2021, MA English, University of Colorado Boulder

Bio

My scholarship explores how trauma, mental illness, and suicide affect intrafamilial and interpersonal relationships. Working with representations of the American generational family in popular media, I examine the ways by which narrative-based signifying practices in contemporary American culture harness generic discourses of horror and its adjacent genres to reify interpersonal trauma through depictions of extreme violence and negative affect.


Curriculum Vitae / Resume

Anna Blackburn

July 31, 2023

Degrees

2023, BA English, Washington and Lee University

Bio

My research focuses on the relationship between fear, colonialism, and the Gothic genre. I am interested in how eighteenth- and nineteenth-century British texts use Gothic conventions to stoke fear of colonized peoples as well as how more recent postcolonial texts reclaim these conventions to criticize colonialism. I have studied the role of spirituality in the colonial and postcolonial Gothic, including British portrayals of Obeah and other Afro-Caribbean spiritualities.


Awards

  • Sidney M. B. Coulling Prize for Best Senior Work, Washington and Lee University
  • Catherine Houston Campbell Scholarship in English Literature, Washington and Lee University
  • Jean Amory Wornom Award for Distinguished Critical Writing, Washington and Lee University
  • Sidney M. B. Coulling Prize in English, Washington and Lee University

Curriculum Vitae / Resume

Kyle Cunningham

July 25, 2023

Degrees

2018, BA English, University of Florida

Bio

Kyle Cunningham is a doctoral student at UNC Chapel Hill. His research focuses on the production and circulation of narrative, ideology, and meaning through the digital technologies and platforms that facilitate (and condition) communication today. He is particularly interested in how specific “genres” of online content cluster together and provide important sites of agency wherein individuals and communities both re-envision and reproduce culture.


Curriculum Vitae / Resume

Joshua Cody Ward

September 8, 2022

Degrees

2022, MA English, University of North Carolina at Charlotte

2016, BA Religious Studies, Wingate University

Bio

A North Carolina native, Joshua Cody Ward joined the program in Fall 2022. His field is Modern and Contemporary American literature broadly (1900-Present), and specifically Literature of the American South, the Appalachian South, and African American Literature. His research interests include the archive, textual studies, editorial scholarship, intertextuality, and the Novel, though he is also an avid scholar of Cormac McCarthy and of Thomas Wolfe. His prospective dissertation will engage with Articulations of Appalachia, both scholarly and literary, centering on the political and aesthetic stakes of defining the Southern Appalachian range across the 20th century into the contemporary.

He is currently a Digital Content Coordinator for the Latina/o Studies Program, a Junior Coordinator for the Critical Speakers Series, a Graduate Lecture Series coordinator, and a Board Member (2023-2026) for the Thomas Wolfe Society. He is also on the committee for the 2024 Durham, NC conference for the Thomas Wolfe Society, and is an occasional Reviewer for the The Cormac McCarthy Journal. As a junior scholar, his work has been accepted or published in several journals and essay collections, and he has presented his work at over 20 academic conferences.


Publications:

  • “Darkness on the Edge of Town: Beat Subject Formation, Black Ontology, and Fugitivity as Gnosis in Cormac McCarthy’s Suttree.” In This Country’s Hard on People: Cormac McCarthy and American Identity, edited by Vernon Cisney. Forthcoming.
  • “Weird Object Relations, Ecology, and Apocalypse in Cormac McCarthy’s The Passenger and Stella Maris.” In New Perspectives on Cormac McCarthy: Encountering The Passenger and Stella Maris, edited by Jonathan Elmore and Rick Elmore. Forthcoming.
  • “Publishing the Black Arts Movement: Editors, Anthologies, and Canonization.” South Atlantic Review, vol. 88, no. 2-3, 2023, pp. 157-170.
  • “From Commas to Cosmos: The Pervading Influence of Thomas Wolfe on Cormac McCarthy.” The Thomas Wolfe Review, vols. 44 & 45, nos. 1 & 2, 2020 & 2021, pp. 8-25.
  • [album] The Boron Heist. Ridin’ Rough. Mystery School Records, April 6 2019.
  • “Light and Darkness, Sight and Blindness: Religious Knowledge in Cormac McCarthy’s Outer Dark.Wingate Research Review, issue 8, Fall 2016, pp. 87-106.
  • “Raison d’être.” Wingate University Counterpoint, Spring 2013, p. 9.
  • “On Testing.” Wingate University Counterpoint, Spring 2013, p. 23.

Awards

  • Graduate Teaching Fellow, Fall 2022-Present, UNC Chapel Hill, English and Comparative Literature Department.
  • Travel Grant, Fall 2023, UNC Chapel Hill, English and Comparative Literature Department.
  • Emerging Scholar Award, Summer 2023, UNC Chapel Hill, Southern Futures program.
  • John R. Bittner Student Literary Prize, May 27th 2023, Thomas Wolfe Society Conference.
  • LSP Teaching Fellowship, Spring 2023, UNC Chapel Hill Latina/o Studies Program.
  • Graduate Student Transportation Grant, Spring 2023, UNC Chapel Hill, Graduate School.
  • Languages & Literatures Graduate Student Paper Award Recipient, February 23rd 2023, 44th Annual SWPACA Conference.
  • 2021 Graduate Student Essay Award Recipient, November 12th 2022, SAMLA 94.
  • Travel Grant, Fall 2022, UNC Chapel Hill, English and Comparative Literature Department.
  • The Julian D. Mason Award for Excellence in Graduate Studies, April 29th 2022, UNC Charlotte, English Department.
  • Graduate Teaching Assistantship, Fall 2020-Spring 2022, UNC Charlotte, English Department.
  • Wittliff Collections William Hill Research Award, 2021-2022, Texas State University, For archival research conducted July 2021 in the Cormac McCarthy Papers and Woolmer Collections.
  • Anne Newman Graduate Student Travel Grant, Fall 2021, UNC Charlotte.
  • Excellence in Philosophy Award, April 24th 2016, Wingate University, Religious Studies Department.
  • G. Byrns Coleman Award for Excellence in Religious Studies, April 24th 2016, Wingate University, Religious Studies Department.
  • University Honors, April 24th, 2016, Wingate University.

Curriculum Vitae / Resume

Angelique Bassard

August 22, 2022

Degrees

2013, BA English, Wake Forest University

2020, MEd Curriculum and Instruction, Virginia Commonwealth University

Bio

Angelique Bassard is a second-year PhD student and Teaching Fellow in the English and Comparative Literature program at the University of North Carolina at Chapel Hill. She received her Bachelor of Arts degrees in English from Wake Forest University and a Master of Education from Virginia Commonwealth University. Her research area is American Literature throughout the Long Nineteenth Century, with special interest in Postbellum African American Literature, Southern Writers, Reconstruction, the memory and haunting of the slave past, and Southern realism and romanticism.

Currently, she is researching NC-born black writer Jack Thorne, pseudonym of David Bryant Fulton, and his use and subversion of Southern romance in his 1901 novel, Hanover; or the Persecution of the Lowly: A Story of the Wilmington Massacre. 


Awards

  • Lee Green Award, UNC Chapel Hill Department of English and Comparative Literature, 2023
  • Hanes Graduate Fellowship, Wilson Special Collections Library at UNC Chapel Hill, 2023

Curriculum Vitae / Resume

Christopher Catanese

April 26, 2022

Degrees

2013, M.A. English, Duke University

2008, B.A. English, Davidson College

Bio

I work on British and transatlantic literature of the eighteenth century and Romantic era, with an emphasis on poetry and genre. I am particularly interested in evolving systems of land use, in working-class writers and rural issues, commons and enclosures, and economic and agricultural history. I have published on Samuel Johnson, antiquarianism, and the mass reading public; on Jean-Baptiste Lamarck, vitalism, and Romantic-era natural history, and my journal article on Robert Bloomfield, Wordsworth, and Romantic genre transformations won the 2016 Ralph Cohen Prize in New Literary History. I also publish poetry and literary translations, and I am coeditor of the small poetry press Golias Books.


Publications:

  • “Edward Rushton,” in Jackson Bibliography of Romantic Poetry, edited by J. R. de J. Jackson et al., University of Toronto.
  • “Patronage and Poetic Form: Henry Kirke White, Capel Lofft, and the Monthly Mirror,” in Henry Kirke White, 1785–1806, edited by Tim Fulford. Online, August 2022.
  • “Refinement and Romantic Genre,” New Literary History 48, no. 1 (2017). Winner of the 2016 Ralph Cohen Prize.
  • “Johnson, Warton, and the Romance Reader,” in Community and Solitude: New Essays on Johnson’s Circle, edited by Anthony Lee (Bucknell University Press, 2019).
  • “Survival Narratives: The Georgic and the Romantic Genre-System,” in Narratives of Romanticism, edited by Sandra Heinen and Katharina Rennhak (Wissenschaftlicher Verlag Trier, 2017).
  • Precious against a Precious Thing: Selected Poems of Michael Fieldselected, edited, and introduced by Christopher Catanese and Lawrence Giffin, preface by Stacy Szymaszek (Golias Books, 2019).

Awards

  • 2023. “Listening to the System: Genre in the D. K. Wilgus Papers.” Research grant, Wilson Library, University of North Carolina, Chapel Hill, NC
  • 2022–2023. “Land, Labor, Literature.” Public Humanities Incubator Award and Fellowship, Modern Language Association
  • 2022. Dahl Family Fellowship, University of North Carolina, Chapel Hill, NC
  • 2016. Graduate Research Fellowship, 18th-century British paintings collections, North Carolina Museum of Art, Raleigh, NC
  • 2016. Duke International Research Travel Award, University of Vienna, Austria
  • 2015–2016. William Preston Few Fellowship, Duke University
  • 2015. Six-Month Research Fellowship, Deutscher Akademischer Austausch Dienst (DAAD), Seminar für Englische Philologie, Georg-August-Universität Göttingen
  • 2015. Duke International Research Travel Award, Niedersächsische Staats- und Universitätsbibliothek Göttingen
  • 2015. Anne T. and Robert M. Bass Summer Research Fellowship, Goethe-Institut Göttingen

Curriculum Vitae / Resume

Amy Yue-Yin Chan

August 5, 2021

Degrees

2018, BA Classics, minors French & English, summa cum laude, University of Pennsylvania

Bio

I research 19th and 20th century US poetry and poetics. My dissertation seeks to answer what it means to be an American poet by examining the use of classics in the US tradition. In studying the ways in which classical culture is adapted by US poets, I trace the emergence of ideas of Americanness, as projected against the backdrop of a standardized cultural inheritance.

An earlier version of my dissertation idea, “Du Bois as the American Poet,” won the Graduate Student Conference Paper Award from the Ralph Waldo Emerson Society in 2023.


Publications:

Scholarship:

  • “Review of The Oxford Handbook of Emily Dickinson.” Emily Dickinson International Society Bulletin 35.1 (2023), 19-20.

Poems et al.:

  • “On Hudson River.” Bayou (forthcoming).
  • “My Mother Says.” Rattle 83 (2024).
  • Flux. BlazeVOX: Fall 2021, 412-18.
  • Lai-jee.” Indiana Review 43.1 (2021), 85-92.

Teaching Awards

  • Doris Betts Award for Excellence in Teaching Composition, 2023

Awards

External:

  • Graduate Student Conference Paper Award, Ralph Waldo Emerson Society, 2023
  • Dickinson Critical Institute Grant, Emily Dickinson International Society, 2022

Internal:

  • Bain Award (Excellence in Pre-1900 American Lit.), UNC-CH DOECL, 2023
  • Travel Grant, UNC-CH DOECL, 2023
  • Transportation Grant, UNC-CH Graduate School, 2022
  • Travel Award, UNC-CH Graduate & Professional Student Government, 2022
  • Booker Fellowship, UNC-CH DOECL, 2021
  • Inclusive Excellence Top-Up, UNC-CH Graduate School, 2021

Curriculum Vitae / Resume

Antonia DiNardo

September 28, 2020

Degrees

2020, BA English/History, Mary Baldwin University

2018, AA Liberal Arts, Northern Virginia Community College

Bio

Toni DiNardo is a fourth year PhD student in the department of English and Comparative literature. Once described by a colleague as a “medievalismist,” her work is predominantly concerned with the mediation of medieval thought and constructions of the middle ages in modern genre fantasy. She is particularly interested in the use of what Umberto Eco called “the Middle Ages as pretext” as a backdrop for the construction and sustenance of socio-political identities, from bucolic queer medievalisms to white nationalist idealization of a putatively ethno-nationalist Middle Ages. Toni has given talks on the fraught intersection of fantasy and conceptions of “historical accuracy” and on the co-opting of popular fantasy franchises as recruiting tools by far-right groups, and in 2023 she held the Hanes Graduate Fellowship, studying the annotations and marginalia of C. S. Lewis’ personal collection of medieval and early modern texts.


Awards

  • Hanes Graduate Fellowship, Rare Book Collection, Louis Round Wilson Library, 2023

Curriculum Vitae / Resume

Rose Steptoe

September 22, 2020

Degrees

2019, BA English and History, University of South Carolina Honors College

Bio

Rose Steptoe is a third-year Ph.D. student and teaching fellow in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. Her research focuses on the intersection of feminist authorship and body horror. More broadly, she is interested in genre and horror studies, feminist film theory, and sound studies.

Read more at rosesteptoe.com.


Curriculum Vitae / Resume

Ariannah Kubli

September 15, 2020

Degrees

2020, BA English, Georgia State University

Bio

Ariannah Kubli is a third-year PhD student in the Department of English and Comparative Literature at UNC Chapel Hill, where she specializes in late nineteenth- and early twentieth-century American literature. Her scholarly interests include American literary realism and naturalism; Marxist theory; intellectual history; critical pedagogy; and the public humanities. Her current work explores the interplay between fiction, labor movements, and radical politics in the United States from 1870-1920. She’s particularly attentive to the ways literature encouraged and informed agitation for more equitable economic, political, and social systems, and the ways inequitable systems in turn inflected the period’s literary output.


Awards

  • Arlene Feiner Memorial Research Grant for Women’s Studies, Working Men’s Institute, 2022
  • Maynard Adams Fellowship for the Public Humanities, Carolina Public Humanities, 2021
  • James E. Routh Outstanding English Major Award, Georgia State University, 2020