Degrees

2016, BA English, Princeton University

Bio

Nathan possesses a strong interest in late 20th and 21st century American literature, with a particular focus on contemporary works with magical realist and “hysterical realist” elements. This interest has led him in the direction of postsecular theory and the philosophy of language.

Degrees

2020, BA English/History, Mary Baldwin University

Bio

Tony DiNardo is a first-year PhD student in the Department of English and Comparative Literature. His research currently focuses on the theological and devotional writings of Britain from Wyclif to the Glorious Revolution, Stuart historiography, and applications of queer theory in the literature of the English Renaissance. An avid, lifelong reader of fantasy and science fiction literature, Tony also has an interest in the growing body of criticism surrounding those genres, particularly where it explores the medieval and early modern roots of the speculative and fantastic modes. Other interests of his include religion in the Victorian social novel, the poetry of the Irish literary revival, labor writing, and video game narratives.

Degrees

2019: B.A. English, Hampshire College.

Bio

Bailey Fernandez is a literary critic and scholar primarily working within the British Romantic period, though he is interested in contemporary literature as well. His thematic interests consist primarily in aesthetics, the philosophy of language, and the formal interchanges between literature, art, and music.

In addition to his scholarship, he also engages in editorial work.  He is a project assistant at The William Blake Archive and an associate editor at the Carolina Quarterly. In his spare time, he writes music and poetry.

Publications:

“Sun Cycle: A Review” Carolina Quarterly no. 69, vol. 4 (Summer 2020)

Awards

Digital Innovation Lab, 2019-20

Curriculum Vitae / Resume

Degrees

2015, BA English, Davidson College

2018, MA English, New York University

Bio

I like to read and write about transatlantic literature of the long nineteenth century and modernism.

Degrees

2012, B.A. English, University of Vermont

2014, M.A. Modern Literature, CUNY, Graduate Center

2017, M.F.A. Creative Writing, Poetry, New York University

Bio

Colin Dekeersgieter is a poet and Ph.D. candidate in English and Comparative Literature invested in modern poetry, poetics, and (neuro)aesthetics. His work has appeared or is forthcoming in the North American Review, Green Mountains Review, The Worcester Review, and elsewhere.

Awards

• Goldwater Fellowship, New York University, 2017

Degrees

2019, Honors BA English Literature and History, Marquette University

Bio

Katherine Stein is a first-year PhD student absorbed in pursuing the lines between historical fact and fictional narrative.  She studies Victorian literature and contemporary historical fiction, with interests in British identity, reception studies, and children’s literature.

Degrees

B.A., Plan II and English Honors, The University of Texas at Austin (2011)

Bio

English PhD student studying late nineteenth and early twentieth century British literature with a focus on the theory and history of knowledge, women’s writing, and novel studies.

Publications:

Peer-Reviewed Journal Articles:

• “Archiving Dracula: Knowledge Acquisition and Interdisciplinarity,” Nineteenth-Century Contexts (forthcoming)

Edited Special Issues:

• Guest co-editor, with Doreen Thierauf, Generational Exchange and Transition in Women’s Writing, special issue of Women’s Writing, vol. 26, no. 2, 2019.

Awards

• Evan Frankel Departmental Dissertation Fellowship, UNC-Chapel Hill (2020)
• Inductee, Frank Porter Graham Graduate and Professional Student Honor Society, UNC-Chapel Hill (2018)

Degrees

2012, MA English, Brandeis University.

2007, BA English and Philosophy, Columbia University.

Bio

My research interests are 20th and 21st Century Experimental Narratives, particularly African-American Fiction.

Degrees

Bio

Dwight Tanner is a Ph.D. candidate in English at the University of North Carolina at Chapel Hill. He is the recipient of a Charlotte W. Newcombe Dissertation Fellowship for 2019-2020. Dwight works in 21st century American/British literature with a focus on Ethnic Literatures and Critical Race Theory. His current research focuses on minoritarian identity and conceptions/rhetorics of change in apocalyptic narratives. He also studies posthumanism, speculative fiction, environmental humanism, and drama and performance theory.

Publications:

• Refereed Journal Article
  • 2019  “‘She Forgot’: Obscuring White Privilege and Colorblindness in Harper Lee’s Novels” South Atlantic Review. 84.1 (March 2019): 54-71.

• Book Review
  •  2020  Review of Beth Lew Williams. The Chinese Must Go: Violence, Exclusion, and the Making of the Alien in America. Harvard University Press,  2018. In Journal of Asian American Studies (2020). Forthcoming February 2020.

Teaching Awards

• Gaskin Award for Excellence in Teaching First Year Composition (2015)

Awards

• 2019-20  Charlotte W. Newcombe Doctoral Dissertation Fellowship, The Woodrow Wilson National Fellowship Foundation
• 2019   Graduate Tuition Incentive Scholarship, The Graduate School, The University of North Carolina at Chapel Hill
• 2019  Graduate Student International Travel Grant, The Graduate School, The University of North Carolina at Chapel Hill
• 2018  Kenan Graduate Fellowship, College of Arts and Sciences, The University of North Carolina at Chapel Hill
• 2018  Summer Dissertation Research Fellowship, Department of English and Comparative Literature
• 2018  Baxter Grant, American Studies Association
• 2018  CSA Travel Grant, Center for the Study of the American South, The University of North Carolina at Chapel Hill
• 2017  Institute for the Arts and Humanities Collaboration Grant, UNC Institute for the Arts and Humanities
• 2015  Gaskin Award for Excellence in Teaching, UNC Department of English and Comparative Literature
• 2013  Booker Fellowship, UNC Department of English and Comparative Literature

Degrees

2012, MA English, University of Virginia

2010, BA English, Tulane University

Bio

Kenneth is a specialist in 20th- and 21st-century American fiction, with interests in genre, film, and the literary moment after postmodernism. His dissertation focuses on the re-invention of the tropes of film noir and hard-boiled crime fiction of the 1930s and 40s in mainstream contemporary American literature. His solo-taught literature classes so far have included a version of the Contemporary Literature class titled “Alternatives to Realism” and a version of the Popular Genres class focused on detective fiction, science fiction, graphic novels, horror, and children’s literature. He managed to successfully teach House of Leaves in a 100-level undergraduate class. In his spare time, he has written reviews of over 1,000 films.

Publications:

• “Cool Girls and Bad Girls: Reinventing the Femme Fatale in Contemporary American Fiction.” Interdisciplinary Humanities 33.1 (Spring 2016): 150 – 170.

Awards

• 2017 Graduate School Summer Research Fellowship
• 2010 Senior Scholar Award in English, Tulane University

Curriculum Vitae / Resume