Degrees

2022, BA English, University of Richmond

Bio

I am interested in global modernism, especially transatlantic literary experiments in the early twentieth century and its transformation in the latter half of the century.

---

Degrees

2024, M.A. English, University of Georgia

2020, B.A. English cum laude, Willamette University

Bio

---

Awards

• Christy Desmet Memorial Fund Award, University of Georgia, 2024
• Honor Society of Phi Kappa Phi, inducted 2024
• Research Out of State Tuition Award, University of Georgia, 2022
• English Department Honors, Willamette University, 2020
• John Dryden Award, Willamette University, 2020

---

Curriculum Vitae / Resume

Degrees

University of Pennsylvania, M.A., Liberal Studies
Palm Beach Atlantic University, B.A., Religious Studies

Bio

Emily Waller Singeisen is a PhD student and teaching fellow at the University of North Carolina at Chapel Hill. She is a graduate of the Masters of Liberal Arts program at the University of Pennsylvania where her research concentrations included the ancient literature and its reception, gender and queer theory, and psychoanalysis. Her published work has examined the formation of gendered subjectivity in the ancient novel through the framework of Freud’s female Oedipus complex, and she continues to investigate the ways in which contemporary theory might enrich our reading of ancient literature. Her current research focuses on receptions of classical literatures from the early twentieth century to the present that mobilize ancient texts for the representation of bodies and sexualities that defy heteronormative ideals.

---

Publications:

Peer Reviewed Articles

Waller Singeisen, E. (November 2024). “Watched Men and Phallus-Wielding Women: Aubrey Beardsley’s Reception of Juvenal’s Sixth Satire” in Classical Receptions Journal.

Waller, E. (June 2022). “Gender Constitution and Reversible Potentiality: The Making of the Masculine Subject in Longus’ Daphnis and Chloe” in differences: A Journal of Feminist Cultural Studies 33, no. 1.

Essays

Waller Singeisen, E. (June 2024). “Trojan Horse Universities: How Tech Billionaires and Alt-Right Figures Legitimise Intolerance in Classics.” Working Classicists. https://www.workingclassicists.com/post/trojan-horse-universities-how-tech-billionaires-and-alt-right-figures-legitimise-intolerance-in-cla.

---

---

Awards

UNC Graduate Essay Prize in Comparative Literature, 2024.

Society for Classical Studies’ Ancient Worlds, Modern Communities Grant Recipient, 2022.

Lambda Classical Caucus Graduate Student Paper Award Nominee, 2021.

University of Pennsylvania Liberal and Professional Studies Award for Outstanding Achievement in a Capstone Project, 2021.

---

Curriculum Vitae / Resume

Degrees

2017, BA English, Florida State University

2021, MA English, North Carolina State University

 

Bio

Madison Storrs is a first-year PhD student and Teaching Fellow in the Department of English & Comparative Literature. Her research focuses on the intersections of literature, botany, and art of the long 19th century in Britain. In particular, she considers how women incorporated botanical studies into their writing and art practices. She is also interested in British Romanticism, ecocriticism, ontology, aesthetics, design, and visual culture.

---

Awards

Teaching Assistantship, First-Year Writing, North Carolina State University, 2020–2021.

---

Curriculum Vitae / Resume

Degrees

2020, BA English, George Washington University

Bio

Ryan Carroll is a PhD candidate in the Department of English and Comparative Literature. He researches information theory and narrative aesthetics in 19th-century British and American literature. He studies how narrative texts, including sensation novels, encyclopedic fictions, epic poems, slave narratives, and undercover journalistic writing, engaged with the phenomenon of information overload, experimenting with information in aesthetic form to produce intense affective responses, like anxiety, thrill, dread, amusement, despair, and exultation.

Ryan also writes in public outlets on topics including contemporary literature, translation, sitcom family politics, liberation theology, and more.

---

Publications:

• “The Form of Information and Informational Form in The Woman in White.” Studies in the Novel, forthcoming.
• “Informatics.” Victorian Poetry, forthcoming.
• “Revision and the Politics of Truth-Telling in The Autobiography of Juan Francisco Manzano.” Victorian Studies, 66.3, Spring 2024.
• “Is the Information Age a ‘Crisis of Narration’?” Review of Byung-chul Han trans. Daniel Steuer, The Crisis of Narration. NCR, September 2024.
• “The Future Isn’t Now: Impossible Action in Political Scholarship.” Lateral, 13.1, Spring 2024.
• “A Translation the Size of the World.” Review of Jennifer Croft, The Extinction of Irena Rey and Olga Tokarczuk trans. Croft, The Books of Jacob. Public Books, April 2024.
• “‘Looking together united them’: Communal and Multivalent Affects in Virginia Woolf’s To the Lighthouse.” Virginia Woolf Miscellany, no. 97, Spring-Summer 2021.
• “The Pilgrim’s Book.” The Jesuits, 2021.
• “Fragments of the Eschaton.” Macrina Magazine, 2021.
• “An Ongoing Revelation: Endings and Poetics of Missingness in the Novels of Virginia Woolf and Gabriel García Márquez.” Portals: A Journal in Comparative Literature, 2020.

---

Teaching Awards

• 2024-25 Writing Program Instructor Wellness Support Award
• 2024 AI. Curricular Excellence Award
• 2023 Earl Hartsell Award for Excellence in Teaching

---

Awards

• 2024 Eliaison Early Stages Departmental Dissertation Fellowship
• 2023 North American Victorian Studies Association Sally Mitchell Prize for Best Graduate Student Paper
• 2022 Ruth Rose Richardson Award for First-Year Achievement

---

Degrees

2020, BA English/History, Mary Baldwin University

2018, AA Liberal Arts, Northern Virginia Community College

Bio

Antonia DiNardo is a fifth year PhD candidate in English literature. Her work is focused on mediations of the Middle Ages in modern popular culture from Tolkien to the The Witcher, utilizing a multi-disciplinary approach encompassing semiotics, genre theory, critical game studies, and reception studies. Her dissertation, “Imagining White Pasts: Fantasy and Far-Right Pseudo-History” explores the intersection of medievalist media and white nationalist discourse. Antonia has given talks and lectures on the fraught intersection of fantasy and conceptions of “historical authenticity,” on the co-opting of popular fantasy franchises as recruiting tools by far-right groups, on chivalric imagery in far-right identity construction, and on chivalric masculinities in Chaucer and Chretien de Troyes. In 2023, she held the Hanes Graduate Fellowship, studying the annotations and marginalia of C. S. Lewis’ personal collection of medieval and early modern texts. In 2024, she joined the team in the Greenlaw Gameroom, UNC’s first games-based teaching space.

---

Awards

• Hanes Graduate Fellowship, Rare Book Collection, Louis Round Wilson Library, 2023

---

Curriculum Vitae / Resume

Degrees

2015, BA English, Davidson College

2018, MA English, New York University

Bio

I like to read and write about transatlantic literature of the long nineteenth century and modernism.

---

Degrees

2019, Honors BA English Literature and History, Marquette University

Bio

Katherine Stein is a doctoral student at the University of North Carolina at Chapel Hill studying Victorian literature, with a special focus on historiography and the figure of the child.  Reaching forward from the Victorian period into the early twentieth century, her research is both interdisciplinary and transhistorical, with additional interests in historical fiction (both past and present), national identity, children’s literature, and juvenilia.  Katherine’s work – both inside and outside the university – is deeply invested in publicness and the public humanities.

---

Publications:

• “A Child’s History of England.”  The Literary Encyclopedia.  Edited by Grace Moore, 2023. https://www.litencyc.com/php/sworks.php?rec=true&UID=7216.
• Co-Editor, Elizabeth Barrett Browning: Selected Early Poems and Prose. Under contract with the Juvenilia Press of Sydney, Australia.  Edited with Laurie Langbauer, Beverly Taylor, and six others, 2023.

---

Awards

• Juliet McMaster Award for Emerging Scholarship, International Society of Literary Juvenilia (2023)
• James Peacock REACH Fellowship, UNC Office of the Vice Provost for Global Affairs (2021)
• Maynard Adams Fellowship for the Public Humanities, UNC-Chapel Hill (2020)
• Outstanding Scholar of the Year, Marquette University English Department (2019)
• Walter C. Boden Award for Outstanding Scholarship, Marquette University History Department (2019)

---

Degrees

2018, BA English, Davidson College

Bio

Erin Piemont studies nineteenth- and twentieth-century United States poetry with a special interest in intersections between poetry and the visual arts. Her research explores art-historical considerations of self-portraiture as an alternative to the literary-critical category of lyric.

---

Curriculum Vitae / Resume

Degrees

2015, MA English, Claremont Graduate University

2012, BA English Literature and Political Science, Loyola Marymount University

Bio

Eddie is currently a PhD candidate and Teaching Fellow at the University of North Carolina, Chapel Hill. A scholar of British literature of the long eighteenth century, he has particular interests in: authenticity, experimentation with literary form and genre, the Gothic, the history of the novel, influences of popular culture, the material book, and narrative performance.

His dissertation project, entitled Creating Enchantment: a History of the Gothic and Inspiring Interactive Reading, explores the history of intellectual influences on the Gothic, the creative possibilities that writers have found in the genre, and how these writers subsequently experimented with the genre to create a particular reading experience. Bringing together archival research, narrative theory, reader-response theory, and sociological history of reading practices in the long-eighteenth century, he hopes to produce a project that examines how authorial innovation, alongside history of the material book—its paratextual elements, decisions made by publishers, and popular readership—have mediated interactive reading experiences of the Gothic novel in the long eighteenth century.

---

Publications:

• Yang, Edward. “Conjuring Sympathy: Mary Shelley’s Frankenstein and Inspiring Interactive Reading.” Critical Insights: Frankenstein; or The Modern Prometheus. Amenia, Salem Press. (forthcoming 2024)
• Sullivan, Rory and Edward Yang. “Searching for Frankenstein: The Locales of Mary Shelley’s Frankenstein, Then and Now.” 2018

---

Teaching Awards

• Krista Turner Memorial Award for Excellence in Teaching, 2018.

---

Awards

• English Teaching Assistant Award (Germany), The Fulbright Program, 2016-17.

---

Curriculum Vitae / Resume