Degrees

2015, BA English, Davidson College

2018, MA English, New York University

Bio

I like to read and write about transatlantic literature of the long nineteenth century and modernism.

Degrees

2012, B.A. English, University of Vermont

2014, M.A. Modern Literature, CUNY, Graduate Center

2017, M.F.A. Creative Writing, Poetry, New York University

Bio

Colin Dekeersgieter is a poet and Ph.D. candidate in English and Comparative Literature invested in modern poetry, poetics, and (neuro)aesthetics. His work has appeared or is forthcoming in the North American Review, Green Mountains Review, The Worcester Review, and elsewhere.

Awards

• Goldwater Fellowship, New York University, 2017

Degrees

2019, BA English Literature and History, Marquette University

Bio

Katherine Stein is a first-year PhD student absorbed in pursuing the lines between historical fact and fictional narrative.  Her interests include Victorian literature, Irish literature, children’s literature, reception studies, and contemporary historical fiction.

Degrees

2019, BA English, Hampshire College.

Bio

Bailey Fernandez is a writer and scholar who works deeply with the poetics of British Romanticism (especially William Blake) and widely with literature’s intersection with philosophy, theology, and linguistics. He is also deeply interested with the history of the avant-garde up until the present day , which he believes begins in the Romantic period.

Awards

• DLC Research Fellowship, UNC, 2019-20.
• Digital Humanities Launch Program, UNC, 2019-20.

Degrees

2014, BA English and Piano Performance, Lawrence University

Bio

Andrew Kim is a third-year doctoral student with interests in contemporary transnational literature and film, East Asian studies, critical race studies, and postcolonial studies.

Publications:

Looking Back on Colonial Korea: Nostalgia and Anti-Nostalgia in Park Chan-wook’s The Handmaiden, Journal of Commonwealth and Postcolonial Studies, forthcoming early 2019

Degrees

B.A., Plan II and English Honors, The University of Texas at Austin (2011)

Bio

English PhD student studying late nineteenth and early twentieth century British literature with a focus on the theory and history of knowledge, women’s writing, and novel studies.

Publications:

• Guest editor, with Doreen Thierauf, of a special issue of Women’s Writing on “Generations” (forthcoming 2018)

Awards

• Inductee, Frank Porter Graham Graduate and Professional Student Honor Society, UNC-Chapel Hill (2018)

Degrees

2012, MA English, Brandeis University.

2007, BA English and Philosophy, Columbia University.

Bio

My research interests are 20th and 21st Century Experimental Narratives, particularly African-American Fiction.

Degrees

Bio

Dwight Tanner is a Ph.D. candidate in English at the University of North Carolina at Chapel Hill. He is the recipient of a Charlotte W. Newcombe Dissertation Fellowship for 2019-2020. Dwight works in 21st century American/British literature with a focus on Ethnic Literatures and Critical Race Theory. His current research focuses on minoritarian identity and conceptions/rhetorics of change in apocalyptic narratives. He also studies posthumanism, speculative fiction, environmental humanism, and drama and performance theory.

Publications:

• Refereed Journal Article
  • 2019  “‘She Forgot’: Obscuring White Privilege and Colorblindness in Harper Lee’s Novels” South Atlantic Review. 84.1 (March 2019): 54-71.

• Book Review
  •  2020  Review of Beth Lew Williams. The Chinese Must Go: Violence, Exclusion, and the Making of the Alien in America. Harvard University Press,  2018. In Journal of Asian American Studies (2020). Forthcoming February 2020.

Teaching Awards

• Gaskin Award for Excellence in Teaching First Year Composition (2015)

Awards

• 2019-20  Charlotte W. Newcombe Doctoral Dissertation Fellowship, The Woodrow Wilson National Fellowship Foundation
• 2019   Graduate Tuition Incentive Scholarship, The Graduate School, The University of North Carolina at Chapel Hill
• 2019  Graduate Student International Travel Grant, The Graduate School, The University of North Carolina at Chapel Hill
• 2018  Kenan Graduate Fellowship, College of Arts and Sciences, The University of North Carolina at Chapel Hill
• 2018  Summer Dissertation Research Fellowship, Department of English and Comparative Literature
• 2018  Baxter Grant, American Studies Association
• 2018  CSA Travel Grant, Center for the Study of the American South, The University of North Carolina at Chapel Hill
• 2017  Institute for the Arts and Humanities Collaboration Grant, UNC Institute for the Arts and Humanities
• 2015  Gaskin Award for Excellence in Teaching, UNC Department of English and Comparative Literature
• 2013  Booker Fellowship, UNC Department of English and Comparative Literature

Degrees

2012, MA English, University of Virginia

2010, BA English, Tulane University

Bio

Kenneth is a specialist in 20th- and 21st-century American fiction, with interests in genre, film, and the literary moment after postmodernism. His dissertation focuses on the re-invention of the tropes of film noir and hard-boiled crime fiction of the 1930s and 40s in mainstream contemporary American literature. His solo-taught literature classes so far have included a version of the Contemporary Literature class titled “Alternatives to Realism” and a version of the Popular Genres class focused on detective fiction, science fiction, graphic novels, horror, and children’s literature. He managed to successfully teach House of Leaves in a 100-level undergraduate class. In his spare time, he has written reviews of over 1,000 films.

Publications:

• “Cool Girls and Bad Girls: Reinventing the Femme Fatale in Contemporary American Fiction.” Interdisciplinary Humanities 33.1 (Spring 2016): 150 – 170.

Awards

• 2017 Graduate School Summer Research Fellowship
• 2010 Senior Scholar Award in English, Tulane University

Curriculum Vitae / Resume

Degrees

2014, MA Linguistics, University of North Carolina at Chapel Hill

2012, BA German & Latin, Hillsdale College

Bio

I am a comparative modernist scholar specializing in Anglo-American and European poetry and poetics. My dissertation focuses on the poetic epiphany in modernist and secular aesthetic frameworks in Anglo-American and German traditions, with particular attention given to William Carlos Williams, T. S. Eliot, and Rainer Maria Rilke. My analytical framework draws on literary, religious, and philosophical traditions as I examine the phenomenon of the secular epiphany in the twentieth century. In addition to my research, I recently received an award for excellence in teaching English rhetoric and composition at UNC. For this class, I employ a genre-awareness approach that emphasizes interdisciplinary skills such as research, developing a writing process through peer review and revision, and digital literacy; I have particularly enjoyed developing units on film analysis and career readiness.

Teaching Awards

• Erika Lindeman Teaching Award for Composition and Literature, 2017

Curriculum Vitae / Resume