Degrees

2013, AS in Fashion Management, Bay State College

2019, BS in Fashion Merchandising & Management, Southern New Hampshire University

Bio

Dailihana Alfonseca is a Puerto Rican and Dominican-Northern American writer in a Southern World. Her Afro-Caribbean and Spanish linguistic origin help serve as the inspiration for both her research and her written works.

She is currently attaining her M.A. in English and Comparative Literature at the University of North Carolina-Chapel Hill.

Her Research focuses on finding the intersection of the literature of colonial/western assimilation, the psychological scope of depression and anxiety (sometimes registered as insanity) in the narrative illness of the stories, books, and poems of women writers, and finding ways to view the cultural impacts of the assimilative trauma experience through immigrant Latina/o literature so that we may better be prepared to intervene on behalf of those seen as the marginalized “other” in westernized societies.

Publications:

• English as A Second Language – Poem (The Bangalore Review, 2020)
• Spanish Soap Operas Killed My Mother – Short Story (Driftwood Press, 2022)

Degrees

2022, MA English, University of North Carolina at Charlotte

2016, BA Religious Studies, Wingate University

Bio

A North Carolina native, Joshua Cody Ward joined the program in Fall 2022. His field is Modern and Contemporary American literature broadly (1900-Present), specifically Literature of the American South and African American Literature. His research interests include the archive, textual studies, editorial scholarship, intertextuality, and the Novel.

Publications:

• “From Commas to Cosmos: The Pervading Influence of Thomas Wolfe on Cormac McCarthy.” The Thomas Wolfe Review. Forthcoming.
• “Publishing the Black Arts Movement: Editors, Anthologies, and Canonization.” South Atlantic Review. Forthcoming.
• [album] The Boron Heist. Ridin’ Rough. Mystery School Records, April 6 2019.
• “Light and Darkness, Sight and Blindness: Religious Knowledge in Cormac McCarthy’s Outer Dark.” Wingate Research Review, issue 8, Fall 2016, pp. 87-106.

Awards

• Emerging Scholar Award, Summer 2023, UNC Chapel Hill, Southern Futures program.
• Teaching Fellow, Fall 2022-Spring 2023, UNC Chapel Hill.
• LSP Teaching Fellowship, Spring 2023, UNC Chapel Hill Latina/o Studies Program.
• Graduate Student Transportation Grant, Spring 2023, UNC Chapel Hill, Graduate School, “‘Writing around the edges of things’: On the Lighthouse in American Literature and in Jeff VanderMeer’s Annihilation.”
• 2021 Graduate Student Essay Award, November 12^th, 2022, SAMLA 94.
• Travel Grant, Fall 2022, UNC Chapel Hill, English and Comparative Literature Department, “Charles Johnson, Ishmael Reed, and Black Women’s Writing in the 1980s: Perceptions versus Reality” & “Urban Fantasy and the Dickensian in Alex Pheby’s Mordew.”
• The Julian D. Mason Award for Excellence in Graduate Studies, April 29^th, 2022, UNC Charlotte English Department.
• Graduate Teaching Assistantship, Fall 2020-Spring 2022, UNC Charlotte.
• Wittliff Collections William Hill Research Award, 2021-2022, Texas State University, For archival research conducted July 2021 in the Cormac McCarthy Papers and Woolmer Collections.
• Anne Newman Graduate Student Travel Grant, Fall 2021, UNC Charlotte, “Is Samuel Butler’s Erewhon A Modernist Novel.”
• Excellence in Philosophy Award, April 24^th, 2016, Wingate University Religious Studies Department.
• G. Byrns Coleman Award for Excellence in Religious Studies, April 24^th, 2016, Wingate University Religious Studies Department.
• University Honors, April 24^th, 2016, Wingate University.

Curriculum Vitae / Resume

Degrees

2013, BA English, Wake Forest University

2020, MEd Curriculum and Instruction, Virginia Commonwealth University

Bio

My interests include Postbellum African American literature from the late nineteenth century to the early twentieth century (1870s-1910s), Southern black writers, and speculative fiction.

Degrees

2019, BA English, North Carolina State University

Bio

Cate Rivers is a doctoral candidate in Comparative Literature. She graduated from North Carolina State University in 2019 with a BA in English and minors in history and Japan studies. Her main area focuses are the Southern United States and Japan. Her interests span trauma studies, nationalism, memory, gender and critical race theories, modernism, cultural representations of mental illness, mysticism, and Buddhist literature. Her ongoing research project frames 20th century Japanese novels and novels from the Southern Renaissance as social histories, with particular attention to war memory, family history, culpability, the construction of “family,” and the relation between national identity and self-conception.

Degrees

2021, BA English, Centenary College of Louisiana

2021, BA French, Centenary College of Louisiana

Bio

Audrey Gibson is a second-year PhD student in the Department of English and Comparative Literature. She is broadly interested in 19th and 20th century American literature, with particular emphasis on Southern and multiethnic writing. Her research is mainly focused on French-language poetry, particularly Afro-Creole literature and newspaper writing, situated in New Orleans during the Civil War and Reconstruction. This research explores the construction of identity and community through language, publication, education, religion, and political involvement.

Publications:

Tempêtes et Éclairs: Poésies d’Adolphe Duhart, écrivain créole de la Louisiane by Adolphe Duhart, edited by Audrey J. Gibson, Éditions Tintamarre, 2022.

Degrees

2018, B.A. English Literature, Colorado Mesa University

2020, M.A. English, Colorado State University

Bio

I am a Ph.D. student and teaching fellow in the Department of English & Comparative Literature. I research recent contemporary American literature from 2000 to present, and am absorbed by questions about mixed-race identity, and how multiethnic and multicultural subjects “rightly” identify themselves and are identified. I also examine what makes writing literary, who creates literature, and how digital media challenges and expands those definitions.

Degrees

2019, BA English, Mount Holyoke College

Bio

My scholarly interests naturally converge around questions of trauma, ethics, affect, and divergent subjectivities in narratives of resistance and reconciliation. My work is grounded in an intersectional feminist hermeneutic lens to explore the role of gender, sexuality, and settler colonialism in texts by contemporary American multiethnic women writers. I am also interested in speculative imagery and it’s significance in illuminating historically silenced facets of subjectivity. Psychoanalytic criticisms surrounding haunting and trauma, in conjunction with an exploration of queer women’s psyches as sites for potential violence or intimacy are also uniquely compelling to me. My work asks how/why ‘deviant affects’ are labeled as such, and why the burden of silencing those affects largely falls on “marginalized” folks, i.e. queer and trans women of color?

Degrees

2019, MA English, George Washington University

2012, BA Humanities, Columbia International University

Bio

Elisabeth studies 19th century American literature and medicine, focusing on how changing theories of mental illness and its treatment were encoded in congregate care institutions over the course of the century. Her research, which draws on a varied archive of patient memoirs, journalistic exposes, and fictional depictions of congregate care, investigates entanglements of race, gender, and disability in questions of mental healthcare.

Publications:

“Conversion and Countermemory: Jarena Lee, Maria Stewart, and the Spiritual Motherhood of Mary Magdalene.” Nineteenth-Century American Women Writers and Theologies of the Afterlife: A Step Closer to Heaven, edited by Emily Hamilton-Honey and Jennifer McFarlane Harris, Routledge, 2021.

Awards

• Robert Bain Award for scholarship in American Literature, UNC English Department, 2021
• Southern Futures Graduate Award, 2020
• McCandlish Endowment Fellowship, 2017-2019
• PEO Continuing Education Grant, 2018

Degrees

2008, BA English, James Madison University

2020, MA English, James Madison University

Bio

I am a doctoral candidate and teaching fellow in the Department of English & Comparative Literature at UNC. I am currently at work on my dissertation, tentatively titled “No Judgment: The Aesthetics of Neutrality in the Postwar American Novel,” which examines the productive tension that arises between neutral narrators and snobby characters in the decades immediately following the Second World War. More broadly, my research concerns expressions of taste and aesthetic judgment in American literature and film as they relate to discourses on race, gender, sexuality, and class. I also work on topics, including climate change and posthumanist aesthetics, related to the environmental humanities, and have taught courses on contemporary literature, film, and composition.

Curriculum Vitae / Resume

Degrees

2020, BA English, Georgia State University

Bio

Ariannah Kubli is a third-year PhD student in the Department of English and Comparative Literature at UNC Chapel Hill, where she specializes in late nineteenth- and early twentieth-century American literature. Her scholarly interests include American literary realism and naturalism; Marxist theory; intellectual history; critical pedagogy; and the public humanities. Her current work explores the interplay between fiction, labor movements, and radical politics in the United States from 1870-1920. She’s particularly attentive to the ways literature encouraged and informed agitation for more equitable economic, political, and social systems, and the ways inequitable systems in turn inflected the period’s literary output.

Awards

• Arlene Feiner Memorial Research Grant for Women’s Studies, Working Men’s Institute, 2022
• Maynard Adams Fellowship for the Public Humanities, Carolina Public Humanities, 2021
• James E. Routh Outstanding English Major Award, Georgia State University, 2020