Degrees

2021, BA English, University of Southern California (with Honors)

2021, BA Cognitive Science, University of Southern California

Bio

Valerie Burgess is a first-year Ph.D. student and Research Assistant in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. She graduated from the University of Southern California with a dual Bachelors of Arts in English and Cognitive Sciences. While delving into two distinct fields, she developed an interest in the representation of mental health and feminine labor in women’s writings.

Her current research interest is investigating the intersection of psychology and literature to shed light on the depiction of mental illness in 20th—and 21st-century American Literature. Furthermore, she plans to engage in the Department’s interdisciplinary Health Humanities consortium to increase public engagement in the humanities and foster meaningful conversations across disciplines.

Awards

May 2021, Renaissance Scholar, University of Southern California

Curriculum Vitae / Resume

Degrees

2024, BA English, University of Pittsburgh.

2024, BA Political Science, University of Pittsburgh.

Bio

I am currently interested in the folklore and cosmological tradition of ancient African civilizations, and the transference of said traditions in modern Black diasporic rhetoric and communication. Works of interest include: Beyoncé’s 2016 album Lemonade, Zora Neale Hurston’s short story “Black Death,” and Toni Morrison’s Song of Solomon. I am keenly interested in the perseverance of Black tradition under the constraints of colonialism and slavery, and the appearance of the rhetorical traditions in modern society.

Curriculum Vitae / Resume

Degrees

2017, BA English, University of Florida

2021, MA English, University of Colorado Boulder

Bio

My scholarship explores how trauma, mental illness, and suicide affect intrafamilial and interpersonal relationships. Working with representations of the American generational family in popular media, I examine the ways by which narrative-based signifying practices in contemporary American culture harness generic discourses of horror and its adjacent genres to reify interpersonal trauma through depictions of extreme violence and negative affect.

Curriculum Vitae / Resume

Degrees

2018, BA English, University of Florida

Bio

Kyle Cunningham is a doctoral student at UNC Chapel Hill. His research explores the intersections of platform studies, fan studies, and narrative and literary theory, focusing on how communities reproduce themselves through digital communication infrastructures. He is particularly interested in tracing the organizational logics and discursive practices of online communities that develop around decentralized, peer-produced narratives and hermeneutic practices.

Curriculum Vitae / Resume

Degrees

2023, B.A. Gender Studies / English, University of North Carolina at Chapel Hill

Bio

xochi-maría ramos-lara (she/they) is a doctoral student in english and comparative literature. her main research interest focuses on the (lacanian) subjectivity of gay latinx poets as they wrote during the american aids epidemic of the 80s and 90s, taking into account the presence of the hiv virus itself as an important character. besides this, x. is interested in non-white marxist critiques of the state, hegemonic ideologies, and culture; anti-white violent resistance via brown power (ex. the palestinian intifadas); queer performances of subversion in the american drag and ballroom scenes; and the power dynamics of bareback subculture in gay pornography.

outside of the academy, x. loves writing poetry, collective education on critical ethnic studies, participating in local political action, and going to gay clubs as a form of praxis.

Publications:

• “i planted some lavender in my front yard saturday morning,” SAGE, 2024.
• “afuera,” Screen Door Review, 2023.
• “white mother,” Carolina Muse: Literary & Arts Magazine, 2023.

Curriculum Vitae / Resume

Degrees

2022, MA English, University of North Carolina at Charlotte

2016, BA Religious Studies, Wingate University

Bio

A North Carolina native, Joshua Cody Ward joined the program in Fall 2022. His field is Modern and Contemporary American literature broadly (1900-Present), and specifically Literature of the American South, the Appalachian South, and African American Literature. His research interests include the archive, textual studies, editorial scholarship, intertextuality, and the Novel, though he is also an avid scholar of Cormac McCarthy and of Thomas Wolfe. His prospective dissertation, Articulating Appalachia, argues that definitions of the region and its people are co-constructed across the 20th c. through both cultural representation (literature, film, music) and Regional and National projects for economic and social uplift.

He is currently a Digital Content Coordinator for the Latina/o Studies Program, a Senior Coordinator for the Critical Speakers Series, and a Board Member (2023-2026) for the Thomas Wolfe Society. He is an occasional Reviewer for the The Cormac McCarthy Journal. As a junior scholar, his work has been accepted or published in several journals and essay collections, and he has presented his work at over 20 academic conferences.

Publications:

• “Darkness on the Edge of Town: Beat Subject Formation, Black Ontology, and Fugitivity as Gnosis in Cormac McCarthy’s Suttree.” In This Country’s Hard on People: Cormac McCarthy and American Identity, edited by Vernon Cisney. Forthcoming.
• “Weird Object Relations, Ecology, and Apocalypse in Cormac McCarthy’s The Passenger and Stella Maris.” In New Perspectives on Cormac McCarthy: Encountering The Passenger and Stella Maris, edited by Jonathan Elmore and Rick Elmore. Forthcoming.
• “A Literary Ménage à Trois: An Analysis of the Elizabeth Lemmon Collection on Thomas Wolfe, 1934-1935.” Forthcoming.
• “Publishing the Black Arts Movement: Editors, Anthologies, and Canonization.” South Atlantic Review, vol. 88, no. 2-3, 2023, pp. 157-170.
• “From Commas to Cosmos: The Pervading Influence of Thomas Wolfe on Cormac McCarthy.” The Thomas Wolfe Review, vols. 44 & 45, nos. 1 & 2, 2020 & 2021, pp. 8-25.
• [album] The Boron Heist. Ridin’ Rough. Mystery School Records, April 6 2019.
• “Light and Darkness, Sight and Blindness: Religious Knowledge in Cormac McCarthy’s Outer Dark.” Wingate Research Review, issue 8, Fall 2016, pp. 87-106.
• “Raison d’être.” Wingate University Counterpoint, Spring 2013, p. 9.
• “On Testing.” Wingate University Counterpoint, Spring 2013, p. 23.

Awards

• Graduate Teaching Fellow, Fall 2022-Present, UNC Chapel Hill, English and Comparative Literature Department.
• Travel Grant, Fall 2023, UNC Chapel Hill, English and Comparative Literature Department.
• Emerging Scholar Award, Summer 2023, UNC Chapel Hill, Southern Futures program.
• John R. Bittner Student Literary Prize, May 27^th 2023, Thomas Wolfe Society Conference.
• LSP Teaching Fellowship, Spring 2023, UNC Chapel Hill Latina/o Studies Program.
• Graduate Student Transportation Grant, Spring 2023, UNC Chapel Hill, Graduate School.
• Languages & Literatures Graduate Student Paper Award Recipient, February 23^rd 2023, 44^th Annual SWPACA Conference.
• 2021 Graduate Student Essay Award Recipient, November 12^th 2022, SAMLA 94.
• Travel Grant, Fall 2022, UNC Chapel Hill, English and Comparative Literature Department.
• The Julian D. Mason Award for Excellence in Graduate Studies, April 29^th 2022, UNC Charlotte, English Department.
• Graduate Teaching Assistantship, Fall 2020-Spring 2022, UNC Charlotte, English Department.
• Wittliff Collections William Hill Research Award, 2021-2022, Texas State University, For archival research conducted July 2021 in the Cormac McCarthy Papers and Woolmer Collections.
• Anne Newman Graduate Student Travel Grant, Fall 2021, UNC Charlotte.
• Excellence in Philosophy Award, April 24^th 2016, Wingate University, Religious Studies Department.
• G. Byrns Coleman Award for Excellence in Religious Studies, April 24^th 2016, Wingate University, Religious Studies Department.
• University Honors, April 24^th, 2016, Wingate University.

Curriculum Vitae / Resume

Degrees

2020, MA English, Boston College

2016, BA English, Case Western Reserve University

Bio

I study twentieth-century American and Russophone literature, and I am also interested in urban studies. In my academic research I focus on things ranging from American movie musicals to postcolonial theory, and I write literary reviews of works in translation.

Teaching Awards

• UNC Latina/o Studies Program Teaching Award

Degrees

2019, BA English, North Carolina State University

Bio

Cate Rivers is a doctoral candidate in Comparative Literature. She graduated from North Carolina State University in 2019 with a BA in English and minors in history and Japan studies. Her main area focuses are the Southern United States and Japan. Her interests span trauma studies, nationalism, memory, gender and critical race theories, modernism, cultural representations of mental illness, mysticism, and Buddhist literature. Her ongoing research project frames 20th century Japanese novels and novels from the Southern Renaissance as social histories, with particular attention to war memory, family history, culpability, the construction of “family,” and the relation between national identity and self-conception.

Degrees

2020, BA English and Visual Arts, University of Richmond

Bio

Carson Watlington is a PhD student in the department of English & Comparative Literature and the Graduate Assistant for Film Studies. Her work is rooted in 20^th/21^st century American Literature, with a particular attention to minority and ethnic texts.

Degrees

2019, BA English, Mount Holyoke College

Bio

My scholarly interests naturally converge around questions of trauma, ethics, affect, and divergent subjectivities in narratives of resistance and reconciliation. My work is grounded in an intersectional feminist hermeneutic lens to explore the role of gender, sexuality, and settler colonialism in texts by contemporary American multiethnic women writers. I am also interested in speculative imagery and it’s significance in illuminating historically silenced facets of subjectivity. Psychoanalytic criticisms surrounding haunting and trauma, in conjunction with an exploration of queer women’s psyches as sites for potential violence or intimacy are also uniquely compelling to me. My work asks how/why ‘deviant affects’ are labeled as such, and why the burden of silencing those affects largely falls on “marginalized” folks, i.e. queer and trans women of color?