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Anthony DiNardo

September 28, 2020

Degrees

2020, BA English/History, Mary Baldwin University

Bio

Tony DiNardo is a first-year PhD student in the Department of English and Comparative Literature. His research currently focuses on the theological and devotional writings of Britain from Wyclif to the Glorious Revolution, Stuart historiography, and applications of queer theory in the literature of the English Renaissance. An avid, lifelong reader of fantasy and science fiction literature, Tony also has an interest in the growing body of criticism surrounding those genres, particularly where it explores the medieval and early modern roots of the speculative and fantastic modes. Other interests of his include religion in the Victorian social novel, the poetry of the Irish literary revival, labor writing, and video game narratives.


Lindsay Ragle-Miller

September 22, 2020

Degrees

BA, English with Teacher’s Certification, Minor in Medieval Studies, Eastern Illinois University, 2009

MA, English, Wayne State University, 2020

Bio

I am currently a first-year PhD student at the University of North-Carolina at Chapel Hill, where I teach ENGL 105, the introductory composition course. My research is focused in Medieval Studies, particularly through the lenses of Disability Studies and Queer Studies.


Publications:

Miller, Lindsay, Sarah Chapman and Lynn Losh 2019. Going beyond Lear: Performance and Taming of the Shrew. Dividing the Kingdoms:Interdisciplinary Methods for Teaching King Lear to Undergraduates: Performance: Wayne State University.

Ragle-Miller, Lindsay et. Al. The Warrior Women Project: Wayne State University. https://s.wayne.edu/warriorwomen/

 


Curriculum Vitae / Resume

Theodore Nollert

September 11, 2019
Photo of Theodore Nollert

Degrees

2016, BA English, Rhodes College

2019, MA English, University of Alabama

Bio

I read and write about satire from Chaucer to Sterne. I’m currently thinking about the strengths and limitations of satire as a genre: is ridicule ever an effective way of inculcating moral change, or is it mostly good at confirming divisions and broadcasting quarrels? Additional interests include epic poetry, classical reception, and Njal’s Saga.


Awards

Mellon Fellowship, 2019-2024


Hannah Montgomery

September 11, 2018

Degrees

2018, BA English, University of Tulsa

Bio

As a Ph.D. student, I study Medieval and Early Modern British literature, but my interests vary widely. I like the Classics, Romanticism, folklore, Gothic, Neo-Gothic, Dystopian, Fantasy, Sci-Fi, and fairytale retellings. I’m particularly interested in the overlap between cultures and time periods, such as Anglo-French interactions, medieval themes reflected in contemporary work, or the transitional periods between arbitrary temporal divisions. In past research projects, I have traced heroes, examined loyalty, and explored and experienced the sublime in literature and in real life, such as paragliding through clouds over the French Alps, where I worked this summer as an au pair. I have studied French, Latin, some Old-English, and beginning Gaelic. I want to learn Italian, German, Norwegian, and possibly many more languages. In my free time, I write, craft, watch and collect Disney and Marvel movies, bake (my superlative in my undergraduate writing club was “most likely to be held hostage for her brownie recipe”), sing, and travel.


Curriculum Vitae / Resume

Nikki Roulo

August 13, 2018

Degrees

2017, M. A. Pennsylvania State University

Bio

I’m a Ph.D. Candidate in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. My research focuses primarily upon early modern literature and in particular, the intersections of poetics and performance, the fool figure, ballads and politics. My dissertation, “Changeling Humorists: The Speech Acts of the Early Modern English Fool,” traces the intellectual history of the fool figure through the seventeenth century. It explores how the fool democratizes an access to public voice and transfers a form of sovereignty to its audience.


Publications:

  • Review of Henze, Catherine. Robert Armin and Shakespeare’s Performed Songs. New York: Routledge Press, 2017. 206 pp. $104.95 ISBN: 9781472458322. In Renaissance Quarterly. 71 No. 4 (2018).
  • Review of  Marno, David. Death Be Not Proud: The Art of Holy Attention. Chicago: University of Chicago Press, 2016. 385 pp. $40.00 ISBN: 9780226415970. In Journal for Early Modern Cultural Studies 18 No. 2 (2018).

Teaching Awards

  • 2020 Latina/o Studies Teaching Award, University of North Carolina at Chapel Hill

Awards

External

  • 2020 UCLA Clark Library/Center for Seventeenth-and Eighteenth-Century Studies Predoctoral Fellowship
  • 2019 Conference Bursary, British Shakespeare Association
  • 2018 Jerry Leath Mills Research Travel Fellowship, Studies in Philology
  • 2018 Conference Bursary, British Shakespeare Association
  • 2018 NEMLA Graduate Student Travel Grant

Internal

  • 2020 Eliason Dissertation Research Fellowship, University of North Carolina at Chapel Hill
  • 2020 Medieval and Early Modern Society Travel Grant, University of North Carolina at Chapel Hill
  • 2019 The Graduate and Professional Student Federation Travel Grant, University of North Carolina at Chapel Hill
  • 2018 Travel Grant, Graduate School of the University of North Carolina at Chapel Hill
  • 2017 Wilma Ebbitt Fellowship in Rhetoric, Pennsylvania State University, University Park

Curriculum Vitae / Resume

Erik Maloney

July 27, 2018

Degrees

2016, BA in English and Comparative Literature, summa cum laude, University of North Carolina at Chapel Hill

Bio

My research focuses on exchanges among literature, science, philosophy, and theology in early modern Europe.


Awards

  • 2016-17, North Carolina Native American Incentive Grant
  • 2016-17, Ruth Rose Richardson award for the outstanding record in the first year of graduate study

Bridget C. Donnelly

April 23, 2018

Degrees

2012, B.A. English, Lawrence University

Bio

I am a PhD candidate at the University of North Carolina at Chapel Hill, and I specialize in British literature of the long eighteenth century and the history of the novel. My dissertation project considers shifting discourses surrounding accidental events throughout the eighteenth century, framing the analysis around fictional representations of carriage accidents in texts like Tobias Smollett’s Humphry Clinker, Frances Burney’s Evelina, Mary Hays’s Memoirs of Emma Courtney, and Jane Austen’s Love and Friendship. 


Publications:

  • “‘Chequer-Work[s] of Providence’: Skeptical Providentialism in Daniel Defoe’s Fiction.” Philosophy and Literature. Forthcoming.
  • Five entries in The Cambridge Guide to the Eighteenth-Century Novel, 1660-1820. Ed. April London. Cambridge University Press. Forthcoming 2018.

Awards

  • W.M. Keck Foundation Fellowship for research at the Huntington Library, awarded March 2018
  • Huntington Library Travel Grant to the United Kingdom, awarded March 2018
  • Aubrey Williams Research Travel Grant, American Society for 18th-Century Studies, awarded March 2018
  • Jerry Leath Mills/Studies in Philology Travel Award for archival research in England, awarded October 2017
  • Best Graduate Student Paper, International Society for the Study of Narrative, awarded June 2016

Curriculum Vitae / Resume

Edward Hyunsoo Yang

April 23, 2018

Degrees

2012, BA English Literature and Political Science, Loyola Marymount University

2015, MA English, Claremont Graduate University

Bio

My research interests include the history of the novel, narrative performance, and authenticity. Drawing from British novels of the Long Eighteenth Century and Twentieth Century American novels, I hope to produce a project that examines narrative interruptions: moments in a text when a voice, distinct from that of any other character, enters the narrative.

Some of my past research examines: the performance of authenticity in The Catcher in the Rye and Franny and Zoey, competing narrative frames in Frankenstein, a blending of genres in The Castle of Otranto, resistance to introspection in Mumblecore films, and the role of authenticity in Hip Hop.


Awards

  • Fulbright, English Teaching Assistantship (Germany), 2016-17

Curriculum Vitae / Resume

Anne Fertig

April 23, 2018

Degrees

2013, Honors BA English Literature, Rollins College
2014, MLitt Scottish History, University of Glasgow
2015, MPhil English Literature, University of Glasgow

Bio

Anne Fertig is currently a doctoral student in English Literature. Her research centers around history writing in the long eighteenth century, including historiography, historical fiction, and antiquarianism. With interest in the Scottish Enlightenment and Romanticism, her work uses English, Scots, and Scottish Gaelic to explore the intersections of culture and language in Scotland and Britain. She was a former Fulbright Postgraduate Scholar at the University of Glasgow (2013-2014) and the co-editor of A Song of Glasgow Town: The Collected Poems of Marion Bernstein (Association for Scottish Literary Studies, 2013).


Publications:

  • “Castle Howard”; “Conirdan”; “Julius Fitz-John,” The Cambridge Guide to the Eighteenth-Century Novel, 1660-1820, (Forthcoming).
  • “’Ancient, Hardy, Pugnacious, and Poor’: Margaret Oliphant’s Form and Conformation in ‘Scottish National Character’ and Kirsteen.” The Essay: Forms and Transformations. (Universitätsverlag Winter: Heidelburg, 2017)
  • Cohen,  Edward H. and Anne Fertig, “A Curious Exchange between Marion Bernstein and Mary Inglis,” Studies in Scottish Literature 41 (2016): 267-276.
  • Cohen,  Edward H. and Anne Fertig,  “Marion Bernstein and the Glasgow Weekly Mail in the 1870s,” Victorian Periodical Review 49.1 (2016): 9-27.
  • Cohen, Edward H., Anne Fertig, and Linda Fleming, eds. ‘A Song of Glasgow Town’: the Collected Works of Marion Bernstein. (Association of Scottish Literary Studies: Glasgow, 2013)

Awards

  • Merit Assistant Fellowship, University of North Carolina at Chapel Hill, 2015-2016
  • Fulbright Postgraduate Scholarship, University of Glasgow, 2013-2014

Curriculum Vitae / Resume