Degrees

2016, B.A. English modified with Philosophy, minor in Ethics, Dartmouth College

Bio

Carly Schnitzler is a PhD candidate and teaching fellow studying digital rhetoric and computational arts and poetics.

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Curriculum Vitae / Resume

Degrees

2016, M.A.T. Secondary English Education, Duke University

2013, M.A. Slavic Languages and Literatures, UNC-Chapel Hill

2011, B.A. Slavic Languages and Literatures, UNC-Chapel Hill

Bio

Jessica’s research focuses on late 19th and early 20th century Russian and German fiction, with special interests in the depictions of animals and death in literature. Key authors for her include Tolstoy, Dostoevsky, Kafka, and Mann. She has been studying Russian since 2007 and has studied in St. Petersburg, Moscow, and Kiev. She has taught Russian language courses and TA’d for Russian and German culture courses in the Department of Germanic and Slavic Languages and Literatures, as well as tutors for the new UNC Russian Flagship Program.

 

 

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Awards

• UNC CSEEES Summer Research & Language Study Award, 2021
• FLAS Fellowship, Summer 2012 (Russian)

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Degrees

2016, BA Liberal Arts, Sarah Lawrence College

Bio

Emma is a Comparative Literature student interested in ancient Greek philosophy.  Her work explores the relationship between philosophy and poetry in Plato and Aristotle.  She is also interested in language, specifically metaphor and simile.

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Degrees

2017, MA English Literature, University of Virginia

2015, BA English Literature, Bethany College

Bio

Khristian S. Smith studies late medieval and early modern literature, primarily drama placed in its religiopolitical and material contexts. Their research interests include the histories of religion and emotion, occult knowledge, and literary representations of the Devil. Their most recent publication places William Shakespeare’s Romeo and Juliet in its contemporary religious and scientific contexts by exploring the toxicological roles of night, crypts, and demons in the play. They have delivered papers on the Devil and humor in Ben Jonson’s The Devil is an Ass, Paracelsianism in Shakespeare’s A Midsummer Night’s Dream, and medieval theories of predestination in Geoffrey Chaucer’s Troilus and Criseyde.

Smith’s dissertation project, “Horrors of the Early Modern Imagination,” argues that the roots of current understandings of the genre and experience of horror can be traced to an early modern conception of the imagination. By engaging with the early modern imagination’s power to generate, corrupt, lie, and delude, Smith contends we can understand horror, through the imagination, as onto- epistemological: a state of being and knowing. Drawing on the growing critical work on the history of affect, this project examines historical literature and cultural artifacts to comprehend how emotions and experiences have not only evolved over time but also shaped how we think and react today.

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Publications:

Peer-Reviewed Articles

• “‘No healthsome air breathes in’: Spiritual Poison in Romeo and Juliet,” Poison on the Early Modern Stage: Plants, Paints and Potions, edited by Lisa Hopkins and Bill Angus with Kibrina Davey (Manchester University Press, 2023).

Media & Impact

• “Possets, Drugs, and Milky Effects: A Look at Recipes, Shakespeare’s Plays, and Other Historical References,” Shakespeare and Beyond, February 2020.
• “How to Name Medieval Plants,” The Chapel Hill Rare Book Blog, January 2020.
• “Displaying the Body,” The Chapel Hill Rare Book Blog, November 2019.
• “Recognizing Evil: The Devil and His Horns,” The Chapel Hill Rare Book Blog, October 2019.
• “‘The Blood is the Life’: Dracula and 19th-Century Transfusions,” The Chapel Hill Rare Book Blog, September 2019.

Curatorial Work

• Narratives of Queer Identity, The Lewis Round Library Special Collections, Chapel Hill, NC, Cocurator, Online.

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Awards

• Eliason Early Stages Fellowship, UNC Department of English and Comparative Literature, Summer 2023
• Jerry Leath Mills Research Travel Grant, Studies in Philology, Summer 2022
• ARPA Graduate Degree Completion Grant, UNC Graduate School, Fall 2021
• Eating through the Archives: Interdisciplinary Approaches to Early Modern Foodways Travel Grant, Folger Shakespeare Library, December 2019
• Sara Malone Conference Grant, UNC Medieval and Early Modern Studies, May 2019
• Florence Hoagland Memorial Award for Outstanding Senior English Major, Bethany College Department of Humanities, Spring 2015
• W. F. Kennedy Prize for Outstanding Junior Man, Bethany College, Spring 2014
• Cammie Pendleton Award for Outstanding Junior English Major, BC Department of Humanities, Spring 2014
• Bettie Blanck Travel Award, BC Department of Humanities, Fall 2013
• Cammie Pendleton Award for Outstanding Sophomore English Major, BC Department of Humanities, Spring 2013

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Curriculum Vitae / Resume

Degrees

2016, BA French and Comparative Literature, Binghamton University

Bio

Chloe Hamer is a third-year graduate student focusing on 20th Century Francophone Caribbean literature and memory studies.

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Degrees

2017, M. A. Pennsylvania State University

Bio

I’m a Ph.D. Candidate in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. My research focuses primarily upon early modern literature and in particular, the intersections of poetics and performance, the fool figure, ballads and politics. My dissertation, “Changeling Humorists: The Speech Acts of the Early Modern English Fool,” traces the intellectual history of the fool figure through the seventeenth century. It explores how the fool democratizes an access to public voice and transfers a form of sovereignty to its audience. Currently, I am also editing Robert Armin’s Quips upon Questions for Digital Renaissance Editions.

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Publications:

• Robert Armin, Quips upon Questions, in Digital Renaissance Editions. University of Victoria.
• Review of Worthen, W. B. Shakespeare, Technicity and the Theatre. Cambridge: Cambridge UP, 2020. In Shakespeare Quarterly (forthcoming).
• Review of Henze, Catherine. Robert Armin and Shakespeare’s Performed Songs. New York: Routledge Press, 2017. In Renaissance Quarterly. 71 No. 4 (2018): 1554-1555.
• Review of  Marno, David. Death Be Not Proud: The Art of Holy Attention. Chicago: University of Chicago Press, 2016. In Journal for Early Modern Cultural Studies 18 No. 2 (2018): 175-177.

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Teaching Awards

• 2020 Latina/o Studies Teaching Award, University of North Carolina at Chapel Hill

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Awards

External 

• 2020       UCLA Clark Library/Center for Seventeenth-and Eighteenth-Century Studies Predoctoral Fellowship
• 2019       Conference Bursary, British Shakespeare Association
• 2018       Jerry Leath Mills Research Travel Fellowship, Studies in Philology
• 2018       Conference Bursary, British Shakespeare Association
• 2018       NEMLA Graduate Student Travel Grant

Internal

• 2021       Howell-Voitle Award for Dissertation in Early Modern English, University of North Carolina at Chapel Hill
• 2021       Department of English and Comparative Literature Summer Dissertation Fellowship,  University of North Carolina at Chapel Hill
• 2021       Medieval and Early Modern Summer Research Fellowship, University of North Carolina at Chapel Hill
• 2020       Eliason Dissertation Research Fellowship, University of North Carolina at Chapel Hill
• 2020       Medieval and Early Modern Society Travel Grant, University of North Carolina at Chapel Hill
• 2019       The Graduate and Professional Student Federation Travel Grant, University of North Carolina at Chapel Hill
• 2018       Travel Grant, Graduate School of the University of North Carolina at Chapel Hill
• 2017       Wilma Ebbitt Fellowship in Rhetoric, Pennsylvania State University, University Park

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Curriculum Vitae / Resume

Degrees

2016, MA English, University of Virginia

2013, BA English, University of California Berkeley

Bio

Stephanie Kinzinger is a Ph.D. Candidate in the Department of English and the Game Studies Initiative Project Manager in the Digital Literacy and Communications (DLC) Lab Gaming Initiative. She focuses on American literature, science, technology, and critical game studies and teaches courses in literature, video games, and multimodal composition and rhetoric. Broadly conceived, her research investigates experiments in the gamification of reality avant la lettre by considering select authors and game designers from the mid nineteenth century to the present who not only depict otherworldly fictions but also insist that such endeavors have the potential to make the world otherwise. Her dissertation –“Playing Reality: The Promise and Peril of Compositional Realities”– uses literary theory, play studies, and critical game studies to explore how the formal and political possibilities of video games are anticipated—and sometimes preemptively challenged—by American literature from the mid-nineteenth century to the present, and to interrogate how the limits and possibilities of contemporary experiments in Virtual Reality offer new vistas for potentially recodifying current social structures.

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Publications:

• “Embodied Cognition in Edgar Allan Poe: Eureka’s Cosmology, Dupin’s Intuition.” Nineteenth-Century Literature. 1 December 2022; 77 (2-3): 124–144.

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Teaching Awards

• 2022 Professional Development Award, University of North Carolina at Chapel Hill

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Awards

• 2023 The James W. Gargano Award, for the outstanding article on Poe written in 2022, The Poe Studies Association
• 2023 John R. Bittner Award for Outstanding Work on a Dissertation in Literature, Popular Media, and Journalism, UNC Chapel Hill
• 2023 Digital Dissertation Fellowship, Carolina Digital Humanities, Digital Innovation Lab (DIL), UNC Chapel Hill
• 2023 Excellence in Critical Game Studies Award, Digital Literacy and Communications (DLC) Lab, UNC Chapel Hill
• 2023 Thompson-Lumiansky Departmental Dissertation Fellowship, UNC Chapel Hill
• 2022 Humanities Initiative Grant from the National Endowment for the Humanities (NEH)

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Curriculum Vitae / Resume

Degrees

B.A., Plan II and English Honors, The University of Texas at Austin (2011)

Bio

English PhD student studying late nineteenth and early twentieth century British literature with a focus on the theory and history of knowledge, women’s writing, and novel studies.

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Publications:

Peer-Reviewed Journal Articles:

• “Archiving Dracula: Knowledge Acquisition and Interdisciplinarity,” Nineteenth-Century Contexts (forthcoming)

Edited Special Issues:

• Guest co-editor, with Doreen Thierauf, Generational Exchange and Transition in Women’s Writing, special issue of Women’s Writing, vol. 26, no. 2, 2019.

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Awards

• Evan Frankel Departmental Dissertation Fellowship, UNC-Chapel Hill (2020)
• Inductee, Frank Porter Graham Graduate and Professional Student Honor Society, UNC-Chapel Hill (2018)

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Degrees

• 2017, BA Critical Studies in English Cultures, Literatures, and Film, University of Wisconsin – Eau Claire
• 2017, BA Latin American Studies, University of Wisconsin – Eau Claire

Bio

emilio Jesús Taiveaho Peláez is a first-generation migrant and a PhD. student—in that order—through the Department of English & Comparative Literature at the University of North Carolina, Chapel Hill. As both poet and scholar, their work engages the intersection of aesthetic experience and political discipline, blending critical, creative, and archival inquiry. Focusing on 20^th-century hemispheric experimental poetry, their dissertation (tentatively titled Ojos de Hierba: Walt Whitman’s Children & the American Lyric) probes the shared literary and philosophical history of the Américas through the lens of Neobaroque aesthetics, tracing dissonant and dissident relations in the life and work of figures such as Federico García Lorca, Langston Hughes, Allen Ginsberg, Néstor Perlongher, and Cecilia Vicuña. emilio’s first book of poetry, landskips (words are a hard look), a latinX exploration of the sonics and optics of our contemporary American Landscapes, is forthcoming through The Concern Newsstand.

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Publications:

• Taiveaho, Emilio Jesús. “Cartographies of Refuge, Music, and Survival: A Review of They Can’t Kill Us Until They Kill Us.” Carolina Quarterly Online, 2018.
• Dekeersgieter, Colin, and Emilio Taiveaho Peláez. “Episode 8: Langston Hughes in Chapel Hill (pt. 1).” CQ Speaks Podcast, 25 February 2020.
• Dekeersgieter, Colin, and Emilio Taiveaho Peláez. “Episode 9: Langston Hughes in Chapel Hill (pt.2) ‘Christ in Alabama.’” CQ Speaks Podcast, 3 June 2020.

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Teaching Awards

• Latina/o Studies Teaching Grant – 2020

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Awards

• 2017 – Present: Mellon Fellow

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Degrees

2017, MA English, University of Virginia

2014, BA English, The College of William and Mary

Bio

Rory Sullivan studies late medieval English literature, art, and culture, and is completing a Ph.D. in English at the University of North Carolina at Chapel Hill. He teaches courses on speculative fiction, visual narrative, and composition, while also working at the Writing and Learning Center as a Writing Coach. Rory’s scholarly work is interested in the lived experiences and devotional practices of late medieval people. His dissertation, “The Virtual Imagination and the Self in Late Medieval England,” investigates the interactions between individuals and art objects, poems, performances, and manuscripts in order to understand how individuals cultivated devotional practices and experiences.

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Teaching Awards

• Erika Lindemann Award for Excellence in Teaching Composition, 2022

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Awards

• Breen Award for outstanding work in the field of Medieval Studies, 2019

• Balch Prize for a Masters Student in English, 2017

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Curriculum Vitae / Resume