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Colin Dekeersgieter

September 25, 2019

Degrees

2012, B.A. English, University of Vermont

2014, M.A. Modern Literature, CUNY, Graduate Center

2017, M.F.A. Creative Writing, Poetry, New York University

 

Bio

Colin Dekeersgieter studies modern poetry, poetics, and aesthetics with a focus on domesticity. His work has appeared in the North American Review, Greensboro Review, Green Mountains Review, and elsewhere.


Publications:

  • Opium and Ambergris (Kent State University Press, forthcoming 2024)

Awards

  • Stan and Tom Wick Poetry Prize, selected by Marilyn Chin
  • Goldwater Fellowship, New York University
  • Global Research Initiative Fellowship, New York University

Thomas Eric Simonson

September 18, 2019

Degrees

2019, MA in English, Wake Forest University

2017, BA in English, University of North Carolina at Charlotte

Bio

Thomas Eric Simonson divides his time between literature of the early modern era, especially drama, and 20th century transatlantic studies and literary theory.


Theodore Nollert

September 11, 2019
Photo of Theodore Nollert

Degrees

2016, BA English, Rhodes College

2019, MA English, University of Alabama

Bio

I specialize in literature, religion, and politics from 1550-1640, with expertise in lyric, dramatic, and narrative poetry from Chaucer to Milton (including Shakespeare). In addition to secondary competency in literary prose from 1500-1800, and special familiarity with the work of Laurence Sterne, I have taught courses on literature for primary and secondary schools, universities, continuing education programs, and correctional education programs. 

My dissertation will evaluate the political gist of English literary depictions of Julius Caesar in the context of more radical political theory


Awards

Mellon Fellowship (2019-2024)
Ruth Rose Richardson Award (2020)


Erin Piemont

October 30, 2018

Degrees

2018, BA English, Davidson College

Bio

Erin Piemont studies nineteenth- and twentieth-century United States poetry with a special interest in intersections between poetry and the visual arts. Her research explores art-historical considerations of self-portraiture as an alternative to the literary-critical category of lyric.


Curriculum Vitae / Resume

Carly Schnitzler

October 21, 2018

Degrees

2016, B.A. English modified with Philosophy, minor in Ethics, Dartmouth College

Bio

Carly Schnitzler is a PhD candidate and teaching fellow studying digital rhetoric and computational arts and poetics.


Curriculum Vitae / Resume

Emma Duvall

October 16, 2018

Degrees

2016, BA Liberal Arts, Sarah Lawrence College

Bio

Emma is a Comparative Literature student interested in ancient Greek philosophy.  Her work explores the relationship between philosophy and poetry in Plato and Aristotle.  She is also interested in language, specifically metaphor and simile.


B. Kylan Rice

September 24, 2018

Degrees

2014, BA English, Brigham Young University

2017, MFA Creative Writing, Colorado State University

Bio

Kylan Rice studies nineteenth and twentieth-century American poetry and poetics.


Publications:

Books:

  • An Image Not a Book (Free Verse Editions, forthcoming 2023)
  • Primer, co-authored with Dan Beachy-Quick (Free Poetry Press, 2023)
  • Incryptions (Spuyten Duyvil, 2021)

Anthologies:

  • Southern Lights: 75 Years of the Carolina Quarterly, co-edited with Sophia Houghton and Daniel Wallace (UNC Press, forthcoming 2023)

Articles:

  • “‘Bird, Jewel, or Flower?’: On the Tokenization of Nineteenth-Century Women’s Poetry,” ELH (forthcoming)
  • “A ‘Correspondence of Eyes with Eyes’: Edwin Arlington Robinson, Empathy, and Literary Naturalism,” CR: The New Centennial Review, vol. 20, no. 3, December 2020, pp. 179 – 205.
  • “‘In Couples, In Small Companies’: On Robert Duncan and Sentimental Modernism.” Arizona Quarterly: A Journal of American Literature, Culture, & Theory, vol. 76, no. 2, Summer 2020, pp. 87-113.
  • “‘Some Other’s Text’: Dan Beachy-Quick, Moby-Dick, and the Poetics of Reading.” Leviathan: A Journal of Melville Studies, vol. 21, no. 2, June 2019, pp. 83-103.
  • “‘Light—enabling Light’: Emily Dickinson and the Apparatus of the Poet’s I.” Women’s Studies, vol. 47, no. 3, 2018, pp. 317-332.

Teaching Awards

  • Student Undergraduate Teaching and Staff Award, University of North Carolina at Chapel Hill, 2023.

Awards

  • Lyle V. Jones Dissertation Fellowship, awarded within the Royster Society of Fellows, 2022-23.
  • Graduate Student Fellowship, Emily Dickinson International Society, 2023
  • Early Stages Departmental Dissertation Fellowship, University of North Carolina at Chapel Hill, Summer 2021
  • Bain Award for outstanding academic performance in the second year of graduate study, University of North Carolina at Chapel Hill, 2019
  • Ruth Richardson Award for outstanding academic performance in the first year of graduate study, University of North Carolina at Chapel Hill, 2018

Curriculum Vitae / Resume

Nikki Roulo

August 13, 2018

Degrees

2017, M. A. Pennsylvania State University

Bio

I’m a Ph.D. Candidate in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. My research focuses primarily upon early modern literature and in particular, the intersections of poetics and performance, the fool figure, ballads and politics. My dissertation, “Changeling Humorists: The Speech Acts of the Early Modern English Fool,” traces the intellectual history of the fool figure through the seventeenth century. It explores how the fool democratizes an access to public voice and transfers a form of sovereignty to its audience. Currently, I am also editing Robert Armin’s Quips upon Questions for Digital Renaissance Editions.


Publications:

  • Robert Armin, Quips upon Questions, in Digital Renaissance Editions. University of Victoria.
  • Review of Worthen, W. B. Shakespeare, Technicity and the Theatre. Cambridge: Cambridge UP, 2020. In Shakespeare Quarterly (forthcoming).
  • Review of Henze, Catherine. Robert Armin and Shakespeare’s Performed Songs. New York: Routledge Press, 2017. In Renaissance Quarterly. 71 No. 4 (2018): 1554-1555.
  • Review of  Marno, David. Death Be Not Proud: The Art of Holy Attention. Chicago: University of Chicago Press, 2016. In Journal for Early Modern Cultural Studies 18 No. 2 (2018): 175-177.

Teaching Awards

  • 2020 Latina/o Studies Teaching Award, University of North Carolina at Chapel Hill

Awards

External 

  • 2020       UCLA Clark Library/Center for Seventeenth-and Eighteenth-Century Studies Predoctoral Fellowship
  • 2019       Conference Bursary, British Shakespeare Association
  • 2018       Jerry Leath Mills Research Travel Fellowship, Studies in Philology
  • 2018       Conference Bursary, British Shakespeare Association
  • 2018       NEMLA Graduate Student Travel Grant

Internal

  • 2021       Howell-Voitle Award for Dissertation in Early Modern English, University of North Carolina at Chapel Hill
  • 2021       Department of English and Comparative Literature Summer Dissertation Fellowship,  University of North Carolina at Chapel Hill
  • 2021       Medieval and Early Modern Summer Research Fellowship, University of North Carolina at Chapel Hill
  • 2020       Eliason Dissertation Research Fellowship, University of North Carolina at Chapel Hill
  • 2020       Medieval and Early Modern Society Travel Grant, University of North Carolina at Chapel Hill
  • 2019       The Graduate and Professional Student Federation Travel Grant, University of North Carolina at Chapel Hill
  • 2018       Travel Grant, Graduate School of the University of North Carolina at Chapel Hill
  • 2017       Wilma Ebbitt Fellowship in Rhetoric, Pennsylvania State University, University Park

Curriculum Vitae / Resume

emilio Jesús Taiveaho Peláez

April 23, 2018

Degrees

  • 2017, BA Critical Studies in English Cultures, Literatures, and Film, University of Wisconsin – Eau Claire
  • 2017, BA Latin American Studies, University of Wisconsin – Eau Claire

Bio

emilio Jesús Taiveaho Peláez is a first-generation migrant and a PhD. student—in that order—through the Department of English & Comparative Literature at the University of North Carolina, Chapel Hill. As both poet and scholar, their work engages the intersection of aesthetic experience and political discipline, blending critical, creative, and archival inquiry. Focusing on 20th-century hemispheric experimental poetry, their dissertation (tentatively titled Ojos de Hierba: Walt Whitman’s Children & the American Lyric) probes the shared literary and philosophical history of the Américas through the lens of Neobaroque aesthetics, tracing dissonant and dissident relations in the life and work of figures such as Federico García Lorca, Langston Hughes, Allen Ginsberg, Néstor Perlongher, and Cecilia Vicuña. emilio’s first book of poetry, landskips (words are a hard look), a latinX exploration of the sonics and optics of our contemporary American Landscapes, is forthcoming through The Concern Newsstand.


Publications:


Teaching Awards

  • Latina/o Studies Teaching Grant – 2020

Awards

  • 2017 – Present: Mellon Fellow