Degrees

2015, MA English, Claremont Graduate University

2012, BA English Literature and Political Science, Loyola Marymount University

Bio

Eddie is currently a PhD candidate and Teaching Fellow at the University of North Carolina, Chapel Hill. A scholar of British literature of the long eighteenth century, he has particular interests in: authenticity, experimentation with literary form and genre, the Gothic, the history of the novel, influences of popular culture, the material book, and narrative performance.

His dissertation project, entitled Creating Enchantment: a History of the Gothic and Inspiring Interactive Reading, explores the history of intellectual influences on the Gothic, the creative possibilities that writers have found in the genre, and how these writers subsequently experimented with the genre to create a particular reading experience. Bringing together archival research, narrative theory, reader-response theory, and sociological history of reading practices in the long-eighteenth century, he hopes to produce a project that examines how authorial innovation, alongside history of the material book—its paratextual elements, decisions made by publishers, and popular readership—have mediated interactive reading experiences of the Gothic novel in the long eighteenth century.

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Publications:

• Yang, Edward. “Conjuring Sympathy: Mary Shelley’s Frankenstein and Inspiring Interactive Reading.” Critical Insights: Frankenstein; or The Modern Prometheus. Amenia, Salem Press. (forthcoming 2024)
• Sullivan, Rory and Edward Yang. “Searching for Frankenstein: The Locales of Mary Shelley’s Frankenstein, Then and Now.” 2018

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Teaching Awards

• Krista Turner Memorial Award for Excellence in Teaching, 2018.

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Awards

• English Teaching Assistant Award (Germany), The Fulbright Program, 2016-17.

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Curriculum Vitae / Resume

Degrees

2014, BA English & Psychology, Wesleyan University

Bio

Rachel Warner is a PhD candidate and teaching fellow in the Department of English and Comparative Literature. Her research interests include twentieth-century American literature, women’s and gender studies, queer of color critique, and animal studies. She has completed two peer-reviewed publications: one explores Black feminist theories of embodiment and nature in Toni Morrison’s The Bluest Eye, forthcoming from Society & Animals; and the other offers an archival analysis of Zora Neale Hurston’s brief tenure at UNC and NCCU, published by North Carolina Literary Review in May 2020. Rachel also co-directs the graduate working group Literature, Medicine and Culture Colloquium (LMCC) which explores topics in health humanities. Finally, Rachel regularly teaches courses in rhetoric and composition, LGBTQIA+ literature and culture, and the history of horror literature and cinema. She is currently working on her dissertation, a literary and cultural history of female masculinity in American modernism.

 

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Publications:

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Awards

Eliason Dissertation Summer Research Fellowship, 2020

MLA COVID-19 Emergency Grant, Modern Language Association, 2020

Graduate Student Travel Fund, ECL Department, 2020

Paul Green Prize, North Carolina Literary Review, 2019

Student Learning Circle Grant, UNC Center for Global Initiatives, 2019

Winchester Fellowship, Wesleyan University, 2018

Deborah W. Shelton Endowment for Graduate Travel Awards, ECL Department, 2018

Winchester Fellowship, Wesleyan University, 2017

Albrecht B. Strauss SAMLA Awards Fund, 2016

Graduate Student Travel Fund, ECL Department, 2016

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Degrees

• 2017, BA Critical Studies in English Cultures, Literatures, and Film, University of Wisconsin – Eau Claire
• 2017, BA Latin American Studies, University of Wisconsin – Eau Claire

Bio

emilio Jesús Taiveaho Peláez is a first-generation migrant and a PhD. student—in that order—through the Department of English & Comparative Literature at the University of North Carolina, Chapel Hill. As both poet and scholar, their work engages the intersection of aesthetic experience and political discipline, blending critical, creative, and archival inquiry. Focusing on 20^th-century hemispheric experimental poetry, their dissertation (tentatively titled Ojos de Hierba: Walt Whitman’s Children & the American Lyric) probes the shared literary and philosophical history of the Américas through the lens of Neobaroque aesthetics, tracing dissonant and dissident relations in the life and work of figures such as Federico García Lorca, Langston Hughes, Allen Ginsberg, Néstor Perlongher, and Cecilia Vicuña. emilio’s first book of poetry, landskips (words are a hard look), a latinX exploration of the sonics and optics of our contemporary American Landscapes, is forthcoming through The Concern Newsstand.

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Publications:

• Taiveaho, Emilio Jesús. “Cartographies of Refuge, Music, and Survival: A Review of They Can’t Kill Us Until They Kill Us.” Carolina Quarterly Online, 2018.
• Dekeersgieter, Colin, and Emilio Taiveaho Peláez. “Episode 8: Langston Hughes in Chapel Hill (pt. 1).” CQ Speaks Podcast, 25 February 2020.
• Dekeersgieter, Colin, and Emilio Taiveaho Peláez. “Episode 9: Langston Hughes in Chapel Hill (pt.2) ‘Christ in Alabama.’” CQ Speaks Podcast, 3 June 2020.

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Teaching Awards

• Latina/o Studies Teaching Grant – 2020

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Awards

• 2017 – Present: Mellon Fellow

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