Professor
1999, PhD English, University of California at Berkeley
1987, BA English, Wesleyan University (Phi Beta Kappa)
Bio
The 2024 recipient of the Board of Governor’s Award for Excellence in Teaching, Florence Dore teaches in both the Creative Writing and Literature programs at Carolina. After finishing up a BA in English at Wesleyan University, she worked as a waitress and taught eight graders how to diagram sentences, eventually returning to school and earning her doctorate at the University of California at Berkeley in 1999, where she specialized in American modernism with a focus on the fiction of William Faulkner.
Her work on Faulkner and Southern literature over the years culminated in the publication of her 2018 monograph Novel Sounds: Southern Fiction in the Age of Rock and Roll (Columbia Univ. Press). She sits on the editorial board at the Faulkner Journal and is working on a special issue, on Faulkner and Contemporary Literature, due out at the Faulkner Journal in 2025.
After stints at New York University’s Draper Program and Kent State University, Prof. Dore became a permanent member of the faculty at UNC in 2010. Several books and articles appear on Dore’s c.v., but because her interest in southern fiction overlaps with a commitment to producing it as a songwriter, she has also released three records, one of which, Highways and Rocketships, won Best Americana Album of 2022 at Lonesome Highway Magazine. She has held fellowships at New York University, the National Humanities Center, and UNC’s Institute for Arts and Humanities and has won several grants, including one from the National Endowment for the Humanities. She is a member of Phi Beta Kappa. Dore has just stepped off as the Southernist on the Steering Committee of the national scholarly group Post45, for whom she was founding co-editor of the Post45 Book Series at Stanford University Press. Her career has included several “town-gown” projects related to her scholarship on Southern literature: during the pandemic, she created and acted as co- executive producer for the community fundraiser Cover Charge: NC Musicians Go Under Cover to Benefit Cat’s Cradle, a benefit compilation record that came in #1 on the Billboard charts and raised funds for the iconic local rock venue, Cat’s Cradle. She has organized two public conferences examining rock and literature, in 2017 at the National Humanities Center with the Carolina Performing Arts and in 2010 at the Rock and Roll Hall of Fame. From these public endeavors emerge two publications: Dore’s 2022 book, The Ink in the Grooves: Conversations on Literature and Rock ‘n Roll (Cornell Univ. Press)–which brings together essays and interviews with the likes of Steve Earle, Richard Thompson, Dom Flemons, Lucinda Williams, and members of John Prine’s band (among others)—and a piece in The Chronicle of Higher Education (January 2024) exploring the relationship between the critic’s responsibility to a literary aesthetic and rock music. Over 2022-2023 she launched Ink in the Grooves Live, a traveling public humanities program that found her traversing the South performing in rock venues and giving talks on vernacular music and civic belonging.
Publications:
- “My Rock and Roll Sabbatical.” The Chronicle of Higher Education (January 2024).
- The Ink in the Grooves: Conversations on Literature and Rock ‘n’ Roll [Editor] (Cornell University Press, 2022).
- [album] Highways and Rocketships, Propeller Sound Recordings, June 10 2022
- “Bob Dylan and American Literature,” The World of Bob Dylan. Cambridge University Press (May 2021).
- [album] Cover Charge: NC Musicians Go Under Cover to Benefit Cat’s Cradle [Compilation: co-creators, Steve Balcom, Shawn Nolan, Lane Wurster] Cover Charge Music, July 2020.
- “Good for Nothing: Lorrie Moore’s Maternal Aesthetic and the Return to Form” Post45.org 5.1 (December 2020)
- Formalism Unbound [Special Issue, co-edited with Timothy Aubry] Post45.org 5 (2 parts: December 2020 and January 2021)
- [monograph] Novel Sounds: Southern Fiction in the Age of Rock and Roll . (Columbia University Press, 2018)
- “Rebel Yale: Reading and Feeling Hillbilly Elegy,” with J.D. Connor and Dan Sinykin. Los Angeles Review of Books (January 10, 2018)
- “Who Owns the Blues?” Public Books.org (July 5, 2017)
- “The New Criticism and the Nashville Sound: Faulkner’s The Town and Rock and Roll.” Contemporary Literature 55.1 (Spring 2014): 32-57
- “The Rock Novel and Jonathan Lethem’s The Fortress of Solitude” Nonsite.org (January 2013)
- “Southern Modernism.” Blackwell Concise Companion to American Literature 1900-1950, eds. Peter Stoneley and Cindy Weinstein. London: Blackwell (Jan. 2008).
- [monograph] The Novel and the Obscene: Sexual Subjects in American Modernism. Stanford: Stanford Univ. Press (2005) Reviews: American Literature 81.4 (2009): 849-851; Studies in the Novel 39.4 (2007): 506-8; Modern Fiction Studies 53.4 (2007): 898-904; Novel: A Forum on Fiction 39.3 (2006): 446-449. William Carlos Williams Review 27.2 (2007): 195-199
- “Free Speech and Exposure: William Faulkner’s Sanctuary.” Narrative 9.1 (January 2001), pp. 78-99.
Teaching Awards
Board of Governor’s Award for Excellence in Teaching (2024)
Awards
Fellow, Institute of Arts and Humanities, University of North Carolina (2022)
Invited Fellow, The National Humanities Center, Research Triangle Park, NC (2016-2017)
Fellow, Institute of Arts and Humanities, University of North Carolina (2013)
Resident Associate, The National Humanities Center, Research Triangle Park, NC (2011)
Fellow, The National Humanities Center, Research Triangle Park, NC (2008-2009)
Visiting Scholar, Case Western Reserve University Law School (Spring 2008)
National Endowment for the Humanities Summer Stipend (2001)
Postdoctoral Fellow,
New York University Draper Program in Humanities and Social Thought (2000-2002)
Mellon Dissertation Fellowship (1996-7)
Phi Beta Kappa (1987)
Courses Taught:
- American Modernism
- William Faulkner
- Southern Fiction
- Songwriting
- Free Speech and American Literature