Degrees

2012, BA in English and Correlate in Art History, Vassar College

Bio

My research stitches together questions from media studies, book history, and Victorian criticism. I am interested in the shifting relationships between print’s material and textual uses, particularly as it responds to new technologies of the book in the nineteenth century.  In my research and teaching, I privilege diverse methods of critical agency. To this end, I engage with interdisciplinary approaches from material studies, book history, digital humanities, and literary criticism.

Publications:

• Peer-Reviewed Journal Articles
  • “The Critical Insurgency of Austen’s Suffrage Afterlife: ‘I hope I shall not be accused of pride and prejudice,’” Tulsa Studies in Women’s Literature, forthcoming.
  • “Enfolded Narrative in The Tenant of Wildfell Hall: Refusing ‘a perfect work of art’, Brontë Studies (forthcoming)
  • “Women’s Reading as Protest in Gissing’s The Odd Women: ‘I’ll see how I like this first,’” English Literature in Transition, 1880-1920 62:1 (2019): 53-71.

  Reference Articles

  • “Helen Blackburn,” Encyclopedia of Victorian Women’s Writing, eds. Emily Morris and Lesa Scholl, Palgrave Macmillan, forthcoming.

Teaching Awards

• Doris Betts Award for Excellence in Teaching Composition, 2017-2018

Awards

• Elsie Van Dyck Dewitt Scholarship Fund Fellowship (2018/2019)
• Rare Book School Director’s Fellowship (2018)
• Digital Humanities Summer Institute Course Fellowship (2018)
• North American Victorian Studies Association Travel Grant (2017)
• Digital Literacy Initiative Fellow (2017)
• Digital Literacy Curricular Development Fellowship (2017)
• The Robert M. and Janet Lumiansky Graduate Student Excellence Fund in English (2016)
• W. Bruce Lea Jr. Graduate Fund in English (2016)
• Ford Scholar, Vassar College (2010)

Curriculum Vitae / Resume

Degrees

2017, MA English Literature, University of Virginia

2015, BA English Literature, Bethany College

Bio

Khristian S. Smith studies late medieval and early modern literature, primarily drama placed in its religiopolitical and material contexts. His research interests include the histories of religion and emotion, occult knowledge, and literary representations of the Devil. His most recent publication places William Shakespeare’s Romeo and Juliet in its contemporary religious and scientific contexts by exploring the toxicological roles of night, crypts, and demons in the play. He has previously delivered papers on the Devil and humor in Ben Jonson’s The Devil is an Ass, Paracelsianism in Shakespeare’s A Midsummer Night’s Dream, and medieval theories of predestination in Geoffrey Chaucer’s Troilus and Criseyde. Smith’s current project interrogates the relationship between the reception of Calvinist doctrine and “horror” as an affect in sixteenth- and seventeenth-century tragedy, epic, and sermons.

Publications:

Peer-Reviewed Articles

• Forthcoming. “‘No healthsome air breathes in’: Spiritual Poison in Romeo and Juliet,” Poison on the Early Modern Stage, edited by Lisa Hopkins and Kibrina Davey (Manchester University Press).

Media & Impact

• “Possets, Drugs, and Milky Effects: A Look at Recipes, Shakespeare’s Plays, and Other Historical References,” Shakespeare and Beyond, February 2020.
• “How to Name Medieval Plants,” The Chapel Hill Rare Book Blog, January 2020.
• “Displaying the Body,” The Chapel Hill Rare Book Blog, November 2019.
• “Recognizing Evil: The Devil and His Horns,” The Chapel Hill Rare Book Blog, October 2019.
• “‘The Blood is the Life’: Dracula and 19th-Century Transfusions,” The Chapel Hill Rare Book Blog, September 2019.

Curatorial Work

• Narratives of Queer Identity, The Lewis Round Library Special Collections, Chapel Hill, NC, Cocurator, Online.

Awards

• ARPA Graduate Degree Completion Grant, UNC Graduate School, Fall 2021
• Eating through the Archives: Interdisciplinary Approaches to Early Modern Foodways Travel Grant, Folger Shakespeare Library, December 2019
• Sara Malone Conference Grant, UNC Medieval and Early Modern Studies, May 2019
• Florence Hoagland Memorial Award for Outstanding Senior English Major, Bethany College Department of Humanities, Spring 2015
• W. F. Kennedy Prize for Outstanding Junior Man, Bethany College, Spring 2014
• Cammie Pendleton Award for Outstanding Junior English Major, BC Department of Humanities, Spring 2014
• Bettie Blanck Travel Award, BC Department of Humanities, Fall 2013
• Cammie Pendleton Award for Outstanding Sophomore English Major, BC Department of Humanities, Spring 2013

Curriculum Vitae / Resume

Degrees

2018, BA English, University of Tulsa

Bio

I am I fourth-year Ph.D. student studying the overlap of friendship, loyalty, and virtue in Late Medieval Romance. I have studied French, Latin, some Old-English, and beginning Gaelic. I want to learn Italian, German, Norwegian, and possibly many more languages. I like to write, craft, sing, travel, watch and collect Disney and Marvel movies, and bake (my superlative in my undergraduate writing club was “most likely to be held hostage for her brownie recipe”).

Curriculum Vitae / Resume

Degrees

2017, M. A. Pennsylvania State University

Bio

I’m a Ph.D. Candidate in the Department of English and Comparative Literature at the University of North Carolina at Chapel Hill. My research focuses primarily upon early modern literature and in particular, the intersections of poetics and performance, the fool figure, ballads and politics. My dissertation, “Changeling Humorists: The Speech Acts of the Early Modern English Fool,” traces the intellectual history of the fool figure through the seventeenth century. It explores how the fool democratizes an access to public voice and transfers a form of sovereignty to its audience. Currently, I am also editing Robert Armin’s Quips upon Questions for Digital Renaissance Editions.

Publications:

• Robert Armin, Quips upon Questions, in Digital Renaissance Editions. University of Victoria.
• Review of Worthen, W. B. Shakespeare, Technicity and the Theatre. Cambridge: Cambridge UP, 2020. In Shakespeare Quarterly (forthcoming).
• Review of Henze, Catherine. Robert Armin and Shakespeare’s Performed Songs. New York: Routledge Press, 2017. In Renaissance Quarterly. 71 No. 4 (2018): 1554-1555.
• Review of  Marno, David. Death Be Not Proud: The Art of Holy Attention. Chicago: University of Chicago Press, 2016. In Journal for Early Modern Cultural Studies 18 No. 2 (2018): 175-177.

Teaching Awards

• 2020 Latina/o Studies Teaching Award, University of North Carolina at Chapel Hill

Awards

External 

• 2020       UCLA Clark Library/Center for Seventeenth-and Eighteenth-Century Studies Predoctoral Fellowship
• 2019       Conference Bursary, British Shakespeare Association
• 2018       Jerry Leath Mills Research Travel Fellowship, Studies in Philology
• 2018       Conference Bursary, British Shakespeare Association
• 2018       NEMLA Graduate Student Travel Grant

Internal

• 2021       Howell-Voitle Award for Dissertation in Early Modern English, University of North Carolina at Chapel Hill
• 2021       Department of English and Comparative Literature Summer Dissertation Fellowship,  University of North Carolina at Chapel Hill
• 2021       Medieval and Early Modern Summer Research Fellowship, University of North Carolina at Chapel Hill
• 2020       Eliason Dissertation Research Fellowship, University of North Carolina at Chapel Hill
• 2020       Medieval and Early Modern Society Travel Grant, University of North Carolina at Chapel Hill
• 2019       The Graduate and Professional Student Federation Travel Grant, University of North Carolina at Chapel Hill
• 2018       Travel Grant, Graduate School of the University of North Carolina at Chapel Hill
• 2017       Wilma Ebbitt Fellowship in Rhetoric, Pennsylvania State University, University Park

Curriculum Vitae / Resume

Degrees

2016, BA in English and Comparative Literature, summa cum laude, University of North Carolina at Chapel Hill

Bio

My research focuses on exchanges among literature, science, philosophy, and theology in early modern Europe.

Awards

• 2016-17, North Carolina Native American Incentive Grant
• 2016-17, Ruth Rose Richardson award for the outstanding record in the first year of graduate study

Degrees

2014, BA English, Harvard University

2015, postgraduate study, History of Design, Royal College of Art/ Victoria & Albert Museum

Bio

Lanier’s research interests include early modern drama, material culture, and the history of the book. In her free time, she is an avid baker and printmaker.

Awards

• Caroline H. and Thomas S. Royster Fellow

Degrees

Bio

I am a  Ph.D. student in English and Comparative Literature at the University of North Carolina at Chapel Hill, studying British literature and culture in the eighteenth and nineteenth century. My research traces contemporary understandings of authorship and textuality back to the eighteenth century, arguing that emerging publication and remediation practices of fiction modernized communities by abstracting notions of adaptation and intertextuality. I also work on bibliographic studies, the history of the book, computational literary studies, and digital humanities. I am also a Graduate Fellow of the Carolina Digital Humanities Initiative, the Assistant Project Manager of the William Blake Archive, and the Assistant Director of the Digital Literacy and Communications Lab.

Publications:

• “Chapter 5: Digital Literacy” Tar Heel Writing Guide 2017-2018. University of North Carolina at Chapel Hill. 2017.
• “After Latinidad: Reimagining Latino Identity in the Works of Junot Díaz.” URJHS: Undergraduate Research Journal for the Human Sciences. Vol. 12, 2013.
• “Disruptive Reading: Resistance to Digitalization in Laurence Stern’s Tristram Shandy and Jonathan Safran Foer’s Tree of Codes.” University of California Berkeley Comparative Literature Journal. Vol. 4 Issue 3, 2013.

Teaching Awards

• Tanner Award for Excellence in Undergraduate Teaching by a Graduate Teaching Assistant,Office of the Provost, UNC-CH, $5000. 2020.
• Student Undergraduate Teaching Award,Office of the Chancellor, UNC-CH, $1000. 2019.
• C.S. Herschel Award for Course Design, Digital Humanities, University Writing Program, UNC-CH, $250. 2019.
• Syllabus of the Year-with Professor Jeanne Moskal, Office of Instructional Innovation, UNC-CH. 2018.
• Graduate Student Mentor Award, Office for Undergraduate Research, UNC-CH. 2018.

Awards

• Rhodes Data Initiative Bass Connections Graduate Fellowship, Duke University. $17,500, 2019-2020.
• Frank Porter Graham Honor Society Member, UNC-CH Graduate School, UNC-CH. 2019
• Lenovo Instructional Innovation Grant with Dan Anderson, Center for Faculty Excellence, UNC-CH, $8000. 2018.
• Director’s Scholarship, Rare Books School, Univ. of Virginia. $1500, 2018.
• Digital Literacy Fellowship, Carolina Digital Humanities Initiative, UNC-CH. $5000, 2017-2018.
• Delmas Scholar,Society for the History of Authorship, Reading and Publishing. $800, 2017.
• Digital Research and Dissertation Fellowship,Carolina Digital Humanities Initiative, UNC-CH. $4000, 2016-2017.
• Hanner Fellowship, Dept. of English and Comparative Lit., UNC-CH. $17500, 2015-2016.

Degrees

2012, M.A. English Literature, University of South Carolina
2010,  B.A. English and Psychology, University of South Carolina Honors College

Bio

Teaching Awards

• Erika Lindemann Teaching Award in Specialized Composition, Department of English and Comparative Literature, 2019

Awards

• Lindemann Departmental Dissertation Fellowship, Department of English and Comparative Literature, Spring 2020
• Folger Shakespeare Library, Grant-in-aid, Book Theory Weekend Seminar, taught by Juliet Fleming, 2019
• Huntington Library, Fletcher Jones Foundation Fellow, 2018
• Harry Ransom Center Research Fellowship in the Humanities, 2018
• Howell-Voitle Dissertation Award, Department of English and Comparative Literature, 2018
• Summer Dissertation Fellowship, UNC Graduate School, 2018
• Folger Shakespeare Library Grant-in-aid, Researching the Archive Year-Long Seminar taught by Ann Blair and Peter Stallybrass, 2017
• Digital Humanities Summer Institute Tuition Scholarship, Digital Editing with TEI, 2017
• Folger Shakespeare Library Grant-in-aid, Cavendish & Hutchinson Seminar taught by Julie Crawford, 2017
• Digital Innovation Research and Dissertation Fellowship, Carolina Digital Humanities Initiative, 2017
• Digital Humanities Summer Institute Tuition Scholarship, Understanding the Predigital Book, 2016
• Folger Shakespeare Library Grant-in-aid, Mastering Research Seminar taught by Robert Matz, 2011

Curriculum Vitae / Resume