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Brendan Chambers

September 11, 2019
Photo of Brendan Chambers

Degrees

2019, BA English, Boston College

Bio

Brendan is a PhD student studying 20th century American literature.  His interests lie at the nexus of literature and phenomenology, exploring how writers across genres represent consciousness and perception in their writing.


Publications:

  • “Phenomenological Reproduction in Thompson and Mailer’s New Journalism.” Dianoia. (Spring 2019)

Awards

  • Phi Beta Kappa, Boston College, 2019

Ian Sawyer

July 29, 2019

Degrees

2019, BA English, Ithaca College

Bio

I am a first-year PhD student in the Department of English & Comparative Literature. My interests include 20th and 21st century American literature, transatlantic modernism, and critical theory.


Doug Stark

July 1, 2019

Degrees

2016, MA English, Loughborough University

2014, BA English, Loughborough University

Bio

Doug Stark is a Ph.D. candidate in the English Department at the University of North Carolina, Chapel Hill. His writing and teaching percolates through twentieth- and twenty-first-century philosophy, cultural theory, literature, film, art and new media – specializing in the history and theory of games. Doug’s dissertation – Askēsis Machines: Gaming, Training, and Habit in Digital Cultures – explores how digitally mediated exercise constitutes a primary means whereby perception, thought, movement and, ultimately, life has taken shape since, roughly, the mid-Twentieth Century. Taking games – including video games – as objects, the dissertation focuses on the repeated practice of play as a mode of cultivating the capacities, rhythms and habits of humans and non-humans in military, institutional, commercial, and artistic contexts. Doug has forthcoming and published work concerning media philosophy, futurity, self-cultivation, and games in Playing the Field (2019), Extrapolation (2020), Journal of Gaming & Virtual Worlds (2020), In Media Res (2020), Post-45 (2020), Encyclopedia of Video Games (est. 2021), Eludamos (est. 2021), and Que Parle (est. 2021).


Publications:

  • Stark, Doug. “Training for the Military? Some Historical Considerations Towards a Media Philosophical Computer Game Philosophy.” Eludamos. (Forthcoming est. 2021.)
  • Stark, Doug and Teresa O’ Rourke. “The Lost Futures of BoJack and Diane.” Post45, special cluster on Leaving Hollywoo: Essays After BoJack Horseman, 2020, https://post45.org/2020/11/the-lost-futures-of-bojack-and-diane/
  • Stark, Doug. “Reimagining Play with Lewis Carroll’s Croquet.” In Media Res, March 2020, http://mediacommons.org/imr/content/reimagining-play-lewis-carroll%E2%80%99s-croquet
  • Stark, Doug. “Unsettling Embodied Literacy in QWOP the Walking Simulator.” Journal of Gaming & Virtual Worlds, vol. 12, no. 1, 2020, pp. 49–67.
  • Stark, Doug. “‘A More Realistic View:’ Reimagining Sympoietic Practice in Octavia Butler’s Parable Series,” Extrapolation, vol. 61, no. 1-2, 2020, pp. 151–171.
  • Stark, Doug. “Video Game Novels.” Encyclopedia of Video Games: The Culture, Technology and Art of Gaming, 2nd. ed., edited by Mark J. P. Wolf, Greenwood Press. (Forthcoming est. 2021)
  • Stark, Doug. “Ludic Literature: Ready Player One as Didactic Fiction for the Neoliberal Subject.” Playing the Field: Video Games and American Studies, edited by Sascha Pöhlmann, De Gruyter, 2019, pp. 153-173.

Awards

Games and Cultures Humanities Lab Fellow, Duke University. 2019-2020.


Curriculum Vitae / Resume

Paul Blom

May 6, 2019

Degrees

2010, MA English, DePaul University

2008, BA English, Birmingham-Southern College

Bio

Originally from LaGrange, GA, Paul is primarily interested in American literature from 1865 to the present and its intersection with medical humanities, especially trauma studies. He is primarily interested in the ethical and political implications of depictions of trauma in literature and other media. In addition to his scholarly work, he also teaches sections of ENGL105, tutors for the athletic department, and currently serves as the Fiction Editor for The Carolina Quarterly. He also writes original pieces of fiction, creative non-fiction, poetry, and drama as well as scripts for promotional videos and short narrative or documentary films.


Publications:


Awards

  • UNC-Chapel Hill Writing Program Professional Development Award Recipient, 2021
  • Departmental Summer Fellowship Service Award to provide administrative support at the Digital Literacy and Communications Lab, 2020
  • Departmental Travel Grant Award Recipient for travel to present at annual MELUS Conference in New Orleans, LA, April 2020
  • UNC-Chapel Hill Writing Program Professional Development Award Recipient, 2020
  • UNC-Chapel Hill Writing Program Professional Development Award Recipient, 2019
  • Recipient of multiple grants for “Popular Narratives and the Experience of War,” UNC-Chapel Hill, from The Graduate School; Humanities for the Public Good; The College of Arts & Sciences, Division of Fine Arts & Humanities; The College of Arts & Sciences, Division of Social Sciences & Global Programs; Carolina Veterans Resource Center; Department of English and Comparative Literature; Curriculum in Peace, War and Defense; Department of History; and Center for the Study of the American South, 2019

Curriculum Vitae / Resume

Trisha Federis Remetir

November 8, 2018

Degrees

2012, BA English, University of California at Berkeley

Bio

Trisha Federis Remetir is a doctoral candidate at UNC Chapel Hill who writes about transpacific migration, representations of water extractions, interspecies entanglements, coloniality, anglophone Filipinx and world literatures, and gender. In her research and teaching methods, she is committed to pushing the boundaries of literary, cultural, and media studies to examine questions of race, gender, and settler logics, while thinking about futures of care, transnational solidarity, and abolition with students.

Trisha’s dissertation, Unfamiliar Waters: Representations of Resource Extraction in the Philippines, 1970s to present, argues that extractive projects in waters in and around the Philippines have altered the composition of water, both on material and representational scales. By examining  examples of water in transnational Filipinx contemporary poetry, 1970s Filipino social realist film, historical archives, and other media, this project pushes against the assumption that the Philippines’ relationship to the Global North is solely defined by extraction of inanimate resources on land (such as oils and minerals)—in fact, this project argues that 20- and 21st century extractive water projects are focusing more on the management of renewable resources and regulating the movement of animate beings (such as human bodies and fish), to the detriment of all. The three chapters, entitled SaltwaterFreshwater, and Storms, each take on three  “types” of water as they were redefined by various moments of resource extraction, such as transnational migration patterns set into place during the Marcos authoritarian regime, movements to nationalize freshwater spaces for aquaculture, and tenuous responses to ever-increasing typhoons. This project makes significant contributions to the  Critical Filipino Studies, Feminist Science and Technology Studies (STS), and media and cultural studies by conversing with scientific archives and artists as they make sense of their changing relationships to water and aquatic life. And lastly, the project contends that Filipino/a/x water aesthetics also challenges extraction’s singular vision of water by uncovering manifold ways of living in relation to water.  In so doing, artists and cultural producers in this study alter water’s cultural and material makeup as well.

Trisha’s forthcoming work can be seen in the edited collection Ecologies in Southeast Asian Media and Popular culture, and in public digital humanities projects as a 2020 Imagining America PAGE fellow. She has taught courses in digital humanities, world literature, ocean literature, and film.


Publications:

2021                (Forthcoming) “Aquaculture Visions, Techno-Settler Hierarchies, and The Mysterious Milkfish (1982),” edited collection Philippine Studies: Historical and Ethnographic Viewpoints, ed. Paul Michael Atienza and Dr. Kathleen Cruz Gutierrez.

 

2020                (Forthcoming) “National Properties, National Ecologies: Postcolonial and ecocritical engagements with Mikhail Red’s Birdshot (2016),” edited collection Ecologies in Southeast Asian Media and Popular Culture, ed. Dr. Jason Telles and Dr. Charles Ryan.


Teaching Awards

2020

  • Imagining America Publicly Active Graduate Education (PAGE) Fellow

Awards

2021

  • Digital Dissertation Fellowship

2020

  • Chancellor’s Doctoral Candidacy Award
  • Humanities for the Public Good Grant
  • UC Speculative Futures Collective grant
  • Southeast Asian Language Council Tuition Support Award
  • Imagining America Publicly Active Graduate Education (PAGE) Fellow

2019

  • Pre-Dissertation Exploration Award
  • Summer Foreign Language Area Studies (FLAS) fellow
  • Institute of the Arts and Humanities Travel Award
  • Representing Migrations Humanities Lab Fellowship (Duke)

2018

  • Summer Foreign Language Area Studies (FLAS) Fellowship

Curriculum Vitae / Resume

Carly Schnitzler

October 21, 2018

Degrees

2016, B.A. English modified with Philosophy, minor in Ethics, Dartmouth College

Bio

Carly Schnitzler is a PhD student and teaching fellow studying the intersections of experimental poetics, labor practices, and digital infrastructures.


Curriculum Vitae / Resume

Leslie Rowen

October 2, 2018

Degrees

2017, BA English, Bellarmine University

2017, BA Spanish, Bellarmine Univesity

Bio

Leslie Rowen studies 20th Century American literature with a focus on the literature of war. Her research concentrates on under-studied soldier writing, with a particular interest in race, gender expression, and trauma. By nature this work relies heavily on the archive, and occasionally extends into the field of medical humanities.


Teaching Awards

  • Professional Development Teaching Award, Department of English & Comparative Literature, Spring 2021, University of North Carolina at Chapel Hill
  • Latina/o Studies Program Teaching Award, Fall 2020, University of North Carolina at Chapel Hill 

Awards

  • Center for the Study of the American South Summer Research Grant, Summer 2021, University of North Carolina at Chapel Hill
  • James Peacock REACH Fellowship, Center for Global Initiatives, Summer 2020, University of North Carolina at Chapel Hill 

Curriculum Vitae / Resume

Maxim Tsarev

October 1, 2018

Degrees

2018, BA German Literature, Philosophy, Humboldt-Universitaet zu Berlin

Bio

I study twentieth-century German, Russian, and American literature & film. My current research interests lie in Horror and Liminality, Critical Theory, and Film Studies. Currently I am researching depictions of space and time, as they relate to constructions of gender and sexuality.


Curriculum Vitae / Resume

Anna Broadwell-Gulde

July 28, 2018

Degrees

2013, BA English, Hendrix College

2016, MA Social Sciences, University of Chicago

Bio

My work centers on questions of subjectivity, agency, and desire in twentieth-century American literature and global cinema. Most recently, I have become interested in the relationship between debt and desire as dual economic and psychological forces that structure contemporary experience. Living and teaching abroad (most recently, Brazil) has shaped my approach to literature and film and has enabled me to explore transatlantic cultural and aesthetic influences on literary and cinematic forms.


Publications:

  • “Pilar’s Turn Inward: Storytelling in Hemingway’s For Whom the Bell Tolls,” Teaching Hemingway and War, Kent State University Press, 2015.

Awards

  • Fulbright English Teaching Fellowship, Brazil, 2014
  • FLAS Fellowship, Brazil, 2018

Curriculum Vitae / Resume

Dylan Thompson

July 24, 2018

Degrees

2014, BA English, University of Oregon

Bio

I study late medieval English and Italian literature, focusing primarily on the works of Dante and Chaucer. I’m also especially interested in folk music, vernacular and vulgar literary traditions, and religion.