Teaching Assistant Professor
Ph.D. Comparative Studies in Literature and Culture (Comparative Media and Culture), University of Southern California (2017)
M.A. Comparative Studies in Literature and Culture (Comparative Media and Culture), University of Southern California (2015)
M.F.A. Cinema-Television, University of Southern California (2004)
A.B. Comparative Literature and Latin American Studies, Princeton University (1999)
Guillermo Rodríguez-Romaguera has a Ph.D. in Comparative Studies in Literature and Culture and an M.F.A. in Film and Television Production from the University of Southern California as well as an A.B. in Comparative Literature from Princeton University. His research focuses on theorizing horror film spectatorship as a self-reflexive act of political resistance in modern and contemporary culture through an interdisciplinary imbrication of literary theory, political philosophy, film theory, critical race theory, queer theory, neuroscience and surrealist aesthetics. Framed around critical readings of Spain’s masterworks in self-reflexive art – Don Quixote, Las meninas, and Un chien andalou, his first monograph titled Mirrors to the Unconscious: Spanish Meta-Art and Contemporary Cinema examines instances of duality in contemporary films from Spain, Poland, France, Canada, Argentina, Cuba and the United States that appear to project on screen what the viewer is subconsciously thinking. He has published articles on Spanish and American cinema in several peer-reviewed journals including Bulletin of Spanish Visual Studies and Studies in European Cinema.
Guillermo is also a film director, screenwriter and editor. He wrote, produced and directed an emotional thriller entitled The Shadows (2007) and produced and edited the feature film Sweet Thing (2008), a coming-of-age tale of two young women set in urban Seattle. He has worked as an editor for DirecTV, NBC and CBS as well as editing numerous feature films, documentaries and TV series such as The History Channel’s Gangland.To read more, visit my website
- “Hermetic Space as Abstraction of the Mechanisms of Censorship: Symptomatic ‘Archive Fever’ in Carlos Saura’s La madriguera.” Bulletin of Spanish Visual Studies 2.1 (2018), pp. 1-16.
- “The Quixotic in Horror: Self-Generating Narrative and Its Self-Critical Sequel in Wes Craven’s Self-Reflexive Horror Cinema.” Cervantes: Bulletin of the Cervantes Society of America 37.2 (2017), pp. 143-168.
- “‘Y te sacarán los ojos’: The Defiance of Reconstituted Sight in Dictatorship and Post-Dictatorship Spanish Cinema.” Studies in European Cinema 13.2 (2016), pp. 119-133.
- “Luis Buñuel (1900-1983)” (article for retrospective Objects of Desire: The Films of Luis Buñuel sponsored by the Embassy of Spain), 2016 Fall/Winter Spanish Cultural Program US & Canada, Spain arts & culture, Washington DC
- 2018 Summer Research Travel Grant (Buenos Aires)
- 2018 Digital Literacy Project Funding (UNC Chapel Hill)
- 2016-2017 USC Graduate School Endowed Fellowship
- 2016 Del Amo Foundation Summer Research Award (Madrid and Barcelona)
- 2015-2016 USC Dornsife College Graduate Merit Award
- 2015 CSLC Summer Award
- 2014 Del Amo Foundation Summer Research Award (Madrid and Barcelona)
- 2014 CSLC Summer Award
- 2013-2014 Del Amo Foundation Endowed Fellowship
- 2012 Frederick and Dorothy Quimby Memorial Fellowship
- 2003 Outstanding Student Filmmaker Grant, The Caucus Foundation for Producers, Writers and Directors
- 2002-2003 The Rodolfo Montes Memorial Scholarship
- 2001-2003 Harold C. Lloyd Foundation Scholarship
- 1998 Princeton Atelier with Toni Morrison and Gabriel García Márquez
- 1995-1997 Princeton University Scholarships
- CMPL 262 – Film and Politics
- ENGL 148 – Horror
- ENGL 143 – Film and Culture
- ENGL 105 – Introduction to Composition and Rhetoric